Aamir Khan hosted a private screening of his much-anticipated film Sitaare Zameen Par on June 16, and it turned into an evening full of heartfelt emotions and unforgettable moments. Among those in attendance was a young boy named Agastya, whose emotional response to the film became the highlight of the night.

According to a touching post shared on social media by Agastya’s parent, the film struck a deep chord with the child, leaving him teary-eyed and visibly moved. The moment became even more special when Agastya met Aamir Khan in person. A photo from the evening shows Aamir gently consoling and hugging the emotional child — a powerful reminder of the emotional impact cinema can have.

The post read, “Last night was nothing short of magical. I had the absolute privilege of attending the private screening of @sitaarezameenpar, and I cannot thank @geneliad enough for the kind and thoughtful invite. What truly made the evening unforgettable was witnessing Agastya's reaction. He was completely moved by the film teary-eyed, silent in moments, and visibly emotional. It's rare to see a story touch a child that deeply. And just when I thought the moment couldn't get more special, he got to meet Aamir Khan in person. Watching Agastya hug him with so much honesty and awe was something I'll never forget.”

"It's rare to see a story touches a child that deeply. He was completely moved by #SitaareZameenPar – teary-eyed, silent in moments & visibly emotional. Stories like these spark empathy, open hearts, remind us how deeply cinema can move even the youngest among us". #AamirKhan pic.twitter.com/NetghYBspw — Kate Wordy (@KateWordy) June 17, 2025

“As a parent, there are moments that etch themselves into your heart this was one of them. Stories like these matter. They spark empathy, open hearts, and remind us how deeply cinema can move even the youngest among us. Grateful for this experience, for the warmth we were shown, and for memories we'll carry for a lifetime,” the post continued.

Sitaare Zameen Par, which reportedly centres around themes of empathy and childhood, has already begun resonating with audiences even before its public release. Aamir Khan, known for his emotionally rich storytelling, once again seems to have delivered a film that connects across generations.

The moment between Agastya and Aamir has since gone viral, symbolizing the deep emotional reach of cinema. For one family, the evening wasn’t just a movie night — it was a lifetime memory in the making.

Also Read : EXCLUSIVE: CBFC asks Sitaare Zameen Par makers to replace Michael Jackson with ‘Lovebirds’; add a quote of Narendra Modi after opening disclaimer

The much-awaited film, Sitaare Zameen Par, is all set to release in 2 days and the excitement is tremendous. Yesterday, Bollywood Hungama broke the viral story of the censor cuts in the Aamir Khan-starrer. Today, we bring to you the release strategy opted for by the makers and distributors of Sitaare Zameen Par.

An exhibition source told Bollywood Hungama, "The distributors have sent a list of requirements to all the theatres, now that the censor certificate has been obtained. As per the requirement, there should be no show of the film before 9:00 am. They have asked cinema halls to opt for popular weekend pricing for the film. Usually, big films go for blockbuster pricing, when the rates are sky-high. Aamir, however, has not allowed it, probably as it would have made it unaffordable for a large chunk of the moviegoers."

The source further said, "The popular ticket pricing is a bit higher than regular pricing. But for a big film to not go for higher rates is a significant step."

The source shared more details on the screen requirement, "If the single screen wants to play the film, the exhibitor will be required to have all shows of Sitaare Zameen Par. It can't exhibit any other film. Two-screen cinemas need to allot 8 shows. Multiplexes with 3, 4, 5 and 6 screens need to play 11, 14, 16 and 19 shows a day respectively. For 7-screen multiplexes, 22 shows are a must while for 8-screen plexes, 25 shows are mandatory in a day. There should be 28 shows in 9-screen cinemas and for multiplexes with 10 screens and more, the requirement is 31 shows."

The advance booking of Sitaare Zameen Par was opened yesterday as soon as the CBFC passed the film. As expected, the makers have gone wide with the release. A final screen count is expected to be known by tomorrow, June 19.

Also Read: EXCLUSIVE: CBFC asks Sitaare Zameen Par makers to replace Michael Jackson with ‘Lovebirds’; add a quote of Narendra Modi after opening disclaimer

Bollywood Hungama has been at the forefront while giving news about Sitaare Zameen Par’s censor process. We were the first ones to inform our readers that the censor process was stalled after the Central Board of Film Certification (CBFC) asked for cuts and actor-producer Aamir Khan was not comfortable to with it. Yesterday, it came to light that the differences between the two parties has been resolved. And now, we bring to you the censor report from one of the most awaited films of the year.

After Aamir was not satisified with the changes asked by CBFC's Examining Committee, the Revising Committee (RC), headed by Vaman Kendre, viewed the film on Monday, June 16. They asked the makers to replace ‘Business Woman’ with ‘Business Person’. In another scene, the RC replaced ‘Michael Jackson’ to ‘Lovebirds’. A visual with the word ‘Kamal’ was asked to be removed and replaced without the ‘lotus’ word. The old disclaimer was deleted and a new disclaimer was added with the voiceover. Finally, the CBFC's RC asked the makers to add a quote of Prime Minister Narendra Modi after the opening disclaimer.

Once these changes were made, the CBFC awarded a U/A 13+ certificate to the makers of Sitaare Zameen Par today, that is, June 17. The length of the film, as mentioned on the censor certificate, is 158.46 minutes. In other words, Sitaare Zameen Par is 2 hours 38 minutes and 46 seconds long.

Sitaare Zameen Par also stars Genelia Deshmukh. It releases in cinemas on June 20.

Also Read: Star-studded premiere of Sitaare Zameen Par on June 19; Shah Rukh Khan, Salman Khan expected to attend to show their support to Aamir Khan

Actors Urvashi Rautela and Sonu Sood were recently summoned and questioned by the Enforcement Directorate (ED) in connection with a widening investigation into the promotion of illegal online betting platforms. The probe focuses on celebrity endorsements of apps that allegedly operated in violation of Indian gambling laws.

According to NDTV Profit, the ED is scrutinising the duo's affiliations with certain online gambling websites. Reports suggest that Urvashi and Sonu were questioned regarding their endorsement contracts and promotional roles tied to betting apps, including surrogate platforms such as “1xbat,” which allegedly redirected users through QR codes and web links to 1xBet—a gambling site banned in India.

An official from the ED, quoted by News18, stated, “These platforms have gained massive visibility by partnering with celebrities and influencers — even in defiance of explicit government bans.” So far, neither Urvashi Rautela nor Sonu Sood’s teams have released official statements on the matter.

The investigation also includes other public figures from the entertainment and sports industries. Cricketers Yuvraj Singh, Harbhajan Singh, and Suresh Raina were also called in for questioning. The ED believes endorsements from such high-profile names played a pivotal role in lending credibility and visibility to the banned platforms, thereby facilitating large-scale user engagement and, in turn, financial fraud.

In March this year, an FIR was lodged in Hyderabad against 25 celebrities for promoting illegal betting platforms. The list includes actors and public figures such as Nidhi Agarwal, Vijay Deverakonda, Rana Daggubati, Prakash Raj, Manchu Lakshmi, and Praneetha.

Also Read: Rana Daggubati and his team issue ‘clarification statement’ after Telangana Police files FIR against celebs for promoting illegal betting apps

The multi-starrer comedy film Welcome To the Jungle, the third installment in the popular Welcome franchise, has reportedly hit a rough patch. According to a Pinkvilla report, the big-budget entertainer has been plagued by financial and logistical hurdles, leading to multiple shoot cancellations over the past several months.

“Around two to three schedules of Welcome to the Jungle have been cancelled over the last six months, leaving the actors and their teams confused about the prospects. The actors have been allotting dates for the shoot to producer Firoz Nadiadwala, and the same have been cancelled at the last minute due to logistical and financial issues. These last-minute cancellations have left the actors sitting at home during the aforementioned period,” a source was quoted as saying.

The film boasts a massive ensemble cast including Disha Patani, Jacqueline Fernandez, Suniel Shetty, Arshad Warsi, and Raveena Tandon, among others. However, Bollywood Hungama recently reported that Sanjay Dutt, who was initially expected to be part of the lineup, is no longer associated with the project.

The delays have not only affected the actors’ schedules but also led to significant frustration and financial loss. “The film has been on floors for over a year and a half now. There are also issues of non-payment of dues to the actors and their staff. Some of the originally cast actors have exited the project, while others are still supporting it out of love for the franchise. They all believe that Welcome is a beloved franchise and are willing to adjust their dates to help complete Welcome to the Jungle,” the source further added.

While the Welcome franchise remains a fan-favorite, the behind-the-scenes troubles of its third installment are beginning to cast a shadow over its prospects. “Initially, every actor was excited, but the repeated cancellations have become frustrating. It not only results in wasted time for the actors but also monetary loss, as the same dates could have been allotted to other films or brand commitments. Housefull 5, produced by Sajid Nadiadwala, also had a large ensemble cast, but the shoot planning was seamless. On the contrary, the scheduling for Welcome to the Jungle, produced by Firoz Nadiadwala, has been inconsistent,” the insider revealed.

Directed by Ahmed Khan, Welcome To the Jungle was announced with much fanfare and is being positioned as a high-octane action-comedy adventure. However, with production delays and cast changes now grabbing headlines, it remains to be seen when (or if) the film will wrap up and hit theatres.

Also Read: EXCLUSIVE: Ahmed Khan takes a DIG at rush-jobs, says Welcome To The Jungle will come out ONLY when ready: “Many filmmakers block a release date and then they race against time to finish work. I am done with that in my life”

Bollywood actor Jaideep Ahlawat and his wife Jyoti Hooda have bought a new apartment in Andheri West, Mumbai, for Rs. 10 crore. This information comes from property registration documents reviewed by Square Yards on the Inspector General of Registration (IGR) website. The transaction was registered in June 2025.

This is the couple’s second purchase in the same residential project—Poorna Apartments—within a span of two months. The first apartment was bought in May 2025 for the same value and is located on a different floor in the same residential project. Both apartments have similar configurations and areas.

According to the IGR property registration documents reviewed by Square Yards, the value of latest purchased apartment in June 2025 stands at Rs. 10 crore. It has a carpet area of 1,950 sq. ft. (~181 sq. m.) and a built-up area of 217.47 sq. m. (~2,341 sq. ft.), which is the same as the apartment acquired in May. The deal also includes two car parking spaces. The transaction attracted a stamp duty payment of Rs. 60 lakh and registration charges of Rs. 30,000.

According to the IGR property registration documents reviewed by Square Yards, the property purchased in May 2025, also for Rs. 10 crore, features a similar carpet area of 1,950 sq. ft. (~181 sq. m.) and a built-up area of 217.47 sq.m. (~2,341 sq.ft.). It included a total of four car parking spaces. The transaction incurred a stamp duty payment of Rs. 60 lakh and registration charges of Rs. 30,000.

Andheri West is well located between Mumbai’s main business and entertainment areas, with good connectivity via the Western Express Highway, Link Road, SV Road, and the Versova-Andheri-Ghatkopar Metro line. Over time, it has grown into a busy commercial and residential area, with modern offices, co-working spaces, shops, entertainment spots, and upscale housing. Its lively environment, strong infrastructure, and closeness to key business hubs make it a popular choice for businesses, celebrities, and working professionals.

Jaideep Ahlawat is an Indian actor who works in Hindi films and web series. He gained recognition for his roles in the films Raees (2017) and Raazi (2018). In 2020, he starred as a police officer in the streaming series Paatal Lok, for which he received the Filmfare OTT Award for Best Actor in a Drama Series. Most recently, he appeared alongside Saif Ali Khan in the Netflix film Jewel Thief (2025).

Also Read : Jaideep Ahlawat buys apartment worth Rs. 10 crores in Mumbai’s Andheri West: Report

Old-school charm crashes headfirst into modern love when a buttoned-up older man falls for a feisty young woman — and nothing goes quite as planned! Netflix’s Aap Jaisa Koi is set to premiere on July 11, bringing audiences a heartwarming family drama that celebrates connection, companionship, and the beauty of discovering ‘barabari wala pyaar’ (equal love) in the most unexpected circumstances.

Starring R. Madhavan as Shrirenu, a reserved Sanskrit teacher, and Fatima Sana Shaikh as Madhu, a spirited French instructor, Aap Jaisa Koi brings together two opposites in a story that’s as much about family and belonging as it is about romance. Marking Madhavan’s return to the genre he is loved for - romance- the film offers a fresh, grown-up take on relationships, blending humor, vulnerability, and warmth against a layered backdrop of family ties and personal rediscovery.

Director Vivek Soni shares, “Aap Jaisa Koi is a film about breaking free from the walls we build around ourselves. It's about embracing the awkwardness and vulnerability of love. Working with Netflix again after Meenakshi Sundareshwar has been a fulfilling experience, and I’m excited to present a love story that’s tender, messy, and intimate, one that embraces vulnerability without losing its charm and breeziness. It quietly questions the roles we fall into in relationships and reflects the quiet courage it takes to truly let someone in. With R. Madhavan and Fatima Sana Shaikh bringing so much heart to their roles, the film reflects the authenticity that Netflix viewers truly connect with. It’s a modern romance that speaks to the need for real connections in today’s world.”

Ruchikaa Kapoor Sheikh, Director of Original Films, Netflix India, shares, “Aap Jaisa Koi is a romance drama about love that sprouts amidst fallen hopes and gated traditions. With Vivek Soni’s captivating visuals, it boasts beautiful performances by R. Madhavan, Fatima Sana Shaikh, Ayesha Raza, along with a stellar ensemble. The film attends to the complexities of love with tender strokes. Dharmatic Entertainment, the masters of romance on film, have told this classic tale in a contemporary fashion. It is part of a strong slate of films we’re bringing to Netflix this year, each with a unique voice and perspective.”

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Producers at Dharmatic Entertainment add, “At Dharma, we’ve always believed in the magic of love—but love that evolves, that questions, that unlearns. Aap Jaisa Koi explores what modern relationships look like when people begin to confront their conditioning and redefine what equality and intimacy truly mean. With Madhavan and Fatima bringing warmth and honesty to these characters, and in partnership with Netflix, we’re proud to present a film that’s honest, heartfelt, and deeply human. It’s a story that speaks to a new generation — about love that grows up, not just glows up.”

So, whether you speak fluent Sanskrit, perfect French, the language of love, or are simply a fan of a heartfelt family drama, Aap Jaisa Koi is here to charm its way into your heart. Get ready to swipe right on this one-of-a-kind romance, streaming July 11, only on Netflix.

Also Read: R Madhavan and Fatima Sana Shaikh lead Netflix’s original film Aap Jaisa Koi, first look out!

In a significant turn of events that underscores the growing menace of digital piracy, Sajid Nadiadwala’s Nadiadwala Grandson Entertainment Pvt. Ltd. (NGEPL) is reportedly in the process of filing a massive insurance claim of Rs. 91 crores for piracy-related losses incurred by their recent release, Sikandar, starring Salman Khan.

According to reliable sources who spoke anonymously to Bollywood Hungama, the production house has initiated internal discussions around invoking its digital piracy insurance cover, following a detailed loss assessment. “An audit was commissioned to assess the extent of the leak and the resulting impact on revenue. Ernst & Young (EnY) submitted a comprehensive report that pegged the loss at approximately Rs. 91 crore,” a source close to the matter revealed to Bollywood Hungama.

Industry insiders suggest that the Rs. 91 crore figure was derived using a combination of comparative modeling and market benchmarking. The audit likely analyzed pre-release box office projections, theatre-wise occupancy trends, and region-wise earnings dips following the leak. Digital footprint tracing tools were also reportedly used to track the volume of illegal downloads and streams across platforms. These figures were then converted into estimated box office revenue loss using established conversion ratios. “Such audits often include a blend of data from ticketing platforms, distributor reports, and forensic tracing of piracy dissemination. The Rs. 91 crore figure wasn’t arbitrary - it is rooted in a loss of potential theatrical and digital revenue,” the source shared with Bollywood Hungama.

The audit allegedly found that pirated copies of Sikandar were being circulated on encrypted messaging platforms and unauthorized streaming sites mere hours after its theatrical release, and in some cases, even before. “This wasn’t a minor leak. The scale of circulation was unprecedented, and it had a measurable impact on the box office,” the source added.

The leak was traced to infamous piracy platforms such as Tamilrockers, Movierulz, Filmyzilla, and several Telegram groups, all of which made the full movie available for illegal download and streaming even before the film’s official release. The pirated version, believed to have originated post-censorship, included deleted and raw scenes not present in the final theatrical cut.

A source revealed to Bollywood Hungama about the pirated version, “The background score in many places was raw. There were several scenes that did not exist in the theatrical version - like one where medical students meet Sikandar in Dharavi, a longer flashback of Kamaruddin collapsing due to lung disease, and a sequence involving Sikandar learning about Rashmika’s character’s aspirations to become a lawyer.”

The source added, “There was also a pre-interval scene where Sikandar’s team informs him about multiple issues - Kamaruddin’s deteriorating health, Vaidehi (Kajal Aggarwal) leaving her home, and Nisha (Anjini Dhawan) being unwell - giving him stronger reason to stay in Mumbai. There’s even a deleted suicide attempt by Vaidehi and a cab sequence involving vadams that was omitted from the final cut.”

A trade source noted a peculiar discrepancy in the pirated print: “It’s not Iulia Vantur singing Lag Ja Gale - the original 1964 version is used. Also, the pirated version did not include Salman Khan singing Ajeeb Dastaan, which was later added to the final cut. These variations suggest that the leak likely happened post-CBFC clearance, indicating an insider job.”

Sikandar, a high-octane action entertainer, opened to much anticipation and collected Rs. 27.5 crores on Day 1. Despite an impressive opening weekend, the film saw sharp drops in weekdays, ultimately ending its theatrical run at Rs. 103.45 crores – a figure that many trade insiders believe fell short of its potential.

Another source familiar with the situation cautioned, “No formal claim has been filed yet. The discussions are ongoing, but it's premature to say that NGEPL has officially moved to claim Rs. 91 crores. At this stage, these are internal assessments, not legal filings.”

If NGEPL does proceed, this could become one of the most substantial piracy-related insurance claims in Indian film history – bringing into spotlight the increasing role of risk management tools like cyber insurance in the business of moviemaking. “Studios are finally treating piracy as a financial risk, not just a legal or ethical concern,” said a digital distribution expert, who also spoke on condition of anonymity.

Sajid Nadiadwala and NGEPL have not issued any official statement yet regarding the insurance claim or the piracy audit. We tried to get in touch with the production house, however they chose not to respond.

Also Read: Sikandar to premiere on OTT on May 25; Netflix drops major UPDATE on Salman Khan starrer

Aamir Khan faced criticism for commenting on the Pahalgam terror attack nearly a week after it occurred, just 12 hours before the trailer launch of Sitaare Zameen Par. Addressing the backlash on Aap Ki Adalat, he defended his patriotism and noted that his 1999 film Sarfarosh was the first in Indian cinema to directly mention Pakistan and the ISI’s names without using any substitutes.

Aamir Khan’s silence following the Pahalgam terror attack drew public criticism, with many questioning his patriotism. Addressing the backlash in an interview with Rajat Sharma on Aap Ki Adalat, the actor defended himself by recalling his 1999 film Sarfarosh, highlighting that it made history as the first Indian film to openly name Pakistan and the ISI without resorting to substitutes.

While speaking on Rajat Sharma’s show, Aamir Khan recalled how Sarfarosh made history by openly naming Pakistan and the ISI, something rarely done in Indian cinema. “If you pick India’s film history, we have never been allowed to take their name, we had to use the term ‘padosi mulk (neighbouring country)’. My film Sarfarosh was the first one ever in history, in which we have taken Pakistan and ISI’s names without hesitation. John [Mathew Matthan, Director] said that the Censor Board won’t pass this. I said, ‘Why won’t they? We will explain it to them’. When Advaniji can call their name in the Parliament publicly that they are doing wrong to us and spreading terrorism, then why can’t we?” he stated.

He further added that Sarfarosh set a precedent for future films to name Pakistan directly. “We got permission to use the names on that basis. So many films released after that were using Pakistan’s name. People say that I don’t say anything against them, but sabse bada naam toh unka maine hi liya hai, aur kisi ne nahi. After Sarfarosh, I got many negative comments from Pakistan for attacking them in the film,” he said.

???? MASSIVE REVELATION by Aamir Khan! Before 1998, Censor Board banned naming Pakistan as a terror sponsor in films — filmmakers were forced to say "Padosi Mulk"! ????

???????? 1999's Sarfarosh was the FIRST to break the silence — under PM Atal Bihari Vajpayee! pic.twitter.com/KJMMHcgylr

— Megh Updates ????™ (@MeghUpdates) June 16, 2025

In the same interview, Aamir Khan clarified that the release of the Sitaare Zameen Par trailer shortly after his statement was purely coincidental. “The trailer was supposed to release much earlier. I cancelled it because of the attack on our nation. I cancelled the premiere of Andaz Apna Apna that day,” explained Aamir. His 1994 cult classic directed by Rajkumar Santoshi was re-released in theatres on April 25.

Aamir Khan also spoke in defense of Islam, emphasizing that the religion does not promote violence. “No religion asks you to kill people. I don’t consider these terrorists Muslims because it’s written in Islam that you can’t kill any innocent human, can’t strike a woman or a child. They’re going against the religion by doing what they are doing,” he said.

Aamir Khan will next be seen in Sitaare Zameen Par, a sports comedy-drama and spiritual sequel to his 2007 hit Taare Zameen Par. Directed by Shubh Mangal Saavdhan’s RS Prasanna, the film stars Genelia D’Souza alongside ten debutant actors. A remake of the Spanish film Campeones, it follows a basketball coach tasked with training a team of differently abled children. The film releases on June 20.

Also Read: Aamir Khan’s Sitaare Zameen Par cleared by CBFC, to release in theatres on June 20

The third schedule of the highly anticipated film Border 2 has commenced at the iconic National Defence Academy, Pune. Diljit Dosanjh and Ahan Shetty have joined Sunny Deol and Varun Dhawan as the cast comes together to portray a grand chapter of valour and unity.

The production team — led by Producer Bhushan Kumar, Nidhi Dutta, director Anurag Singh, co-producer Shiv Chanana, and Binoy Gandhi — is working tirelessly to bring this saga of courage and brotherhood to life.

Border 2 promises to be an epic tale of patriotism and passion, showcasing the unwavering spirit of our armed forces. With its stellar cast and dedicated crew, the film is poised to deliver a monumental cinematic experience.

Backed by a powerful production team including Bhushan Kumar, Krishan Kumar, J.P. Dutta, and Nidhi Dutta, and directed by Anurag Singh, Border 2 is presented by Gulshan Kumar & T-Series, in association with J.P. Dutta’s J.P. Films. This sequel continues the legacy of honouring the heroism and indomitable spirit of Indian soldiers, taking audiences on a spectacular journey of patriotism, courage, and sacrifice.

Gear up for this monumental saga of patriotism and courage, as Border 2 storms into cinemas on January 23, 2026.

Stay tuned as the Border 2 team continues to march forward, bringing this epic story to life!

Also Read: Border 2 shooting update: Ahan Shetty kicks off shoot for sequel of Suniel Shetty starrer in Pune on Father’s Day 2025

Actress Mannara Chopra’s father, Raman Rai Handa, passed away on Monday, June 16, at the age of 72. Handa, who was also the paternal uncle of Bollywood actors Priyanka Chopra Jonas and Parineeti Chopra, had reportedly been unwell in recent days. He was in Mumbai with his family at the time of his passing.

The Chopra family released an official statement expressing their grief. It read, “With profound grief and sorrow we inform the sad demise of our loving father who left us for his heavenly abode on 16/06/2025.” The statement further added, “He was the pillar of strength for our family.”

Mannara Chopra, a former Bigg Boss contestant and actress, mourned her father’s demise through an Instagram Story, echoing the sentiments of loss and respect shared by her family.

Raman Rai Handa was a lawyer at the Delhi High Court. He is survived by his wife Kamini Chopra and daughters Mannara and Mitali Chopra. Kamini is the paternal aunt of Priyanka and Parineeti Chopra.

Further details about the cause of death have not been disclosed by the family at this time.

Also Read: Bollywood Hungama Style Icons Summit and Awards 2025: Mannara Chopra reveals Laughter Chefs skyrocketed her Instagram reach to 100 million, calls for modernized serials; says, “Dramatic boyfriends don’t exist in real life anymore. So how can we consume dramatic content?”

Filmmaker SS Rajamouli is currently busy with his upcoming project SSMB29, starring Mahesh Babu, Priyanka Chopra Jonas, and Prithviraj Sukumaran. The film is shaping up to be a visually ambitious cinematic experience. According to a report by Hindustan Times, the team has completed two major filming schedules and is now working on a critical segment set in Varanasi. Instead of shooting on location, Rajamouli has opted to recreate the holy city at Hyderabad’s Ramoji Film City. The reason: the logistical challenges of filming in Varanasi, one of India’s most densely populated and spiritually active cities.

The massive set is estimated to have cost nearly Rs 50 crores. Significant portions of the film, including action scenes featuring Mahesh Babu, will be shot here. Rajamouli's hallmark use of green screen technology and VFX will once again be central to his vision. Some of the most reputed Hollywood VFX studios have been brought on board to deliver world-class visuals, with a large part of the film's budget reportedly allocated to the graphics department.

In addition to Hyderabad, schedules in Odisha have also been completed. As per a report by Filmfare, the production is now gearing up for its first international schedule in Kenya, which was initially planned for March but had to be pushed. The Kenya schedule, slated for July, will feature Mahesh Babu and Priyanka Chopra Jonas in sequences set against dense wilderness and a natural backdrop.

The film is also notable for marking Priyanka Chopra Jonas’ return to Indian cinema after a six-year hiatus. She was last seen in The Sky Is Pink (2019), and her comeback in a Rajamouli film is already generating strong interest among fans and industry insiders alike.

Also Read: SS Rajamouli to grace Kuberaa pre-release event as chief guest in Hyderabad