Choreographer Vijay Ganguly has addressed the recent buzz surrounding the song ‘Shararat’ from Dhurandhar, firmly clarifying that Tamannaah Bhatia was never under consideration for the sequence. His statement comes in response to headlines and online chatter suggesting that the actress was “rejected” for the song—a claim he has categorically dismissed.

Taking to social media, Ganguly expressed disappointment over how conversations around creative decisions often get distorted. He highlighted how selective framing and sensationalised language can divert attention away from the craft itself. “I genuinely enjoy conversations around cinema and the many layers that go into making a film. That said, I've often refrained from putting myself out there because, at times, words get selectively lifted, misquoted or sensationalised to serve headlines rather than the craft. It's unfortunate that instead of the conversation staying on the song and the creative intent behind ‘Shararat’, the focus has shifted to comparisons between two wonderful artists, with strong and reductive terms like ‘rejections’ being used - something that was never the spirit of what was shared,” he wrote.

Ganguly went on to reiterate the collaborative nature of filmmaking and urged for a more nuanced understanding of creative choices. “Cinema is collaborative. It thrives on respect, nuance and context. I hope we can keep the spotlight where it belongs - on the work and the many people who pour their hearts into it,” he added.

Putting speculation to rest, the choreographer clearly explained why Tamannaah Bhatia was not part of the discussion for ‘Shararat’. “To clarify: Tamannaah Bhatia was never under consideration because her star power is so significant it might have overwhelmed the specific needs of this scene. In Dhurandhar, the music is woven into a high-stakes moment where the tension is key. The makers opted for two performers to keep the focus on the story's progression. This choice was about protecting the film's atmosphere and ensuring the narrative remains the hero of the sequence,” Ganguly stated.

His clarification effectively counters claims of rejection, instead highlighting that casting decisions are driven by storytelling requirements and tonal balance, rather than notions of acceptance or refusal. The emphasis, according to Ganguly, was on ensuring that the song served the film’s tension and narrative momentum without distraction.

Meanwhile, Tamannaah Bhatia continues to receive widespread appreciation for her recent work. She was last seen in The Ba***ds of Bollywood, where her song ‘Ghafoor’ has been trending across social media platforms, reinforcing her strong screen presence and popularity.

With Ganguly’s statement now on record, the focus returns to the creative intent of Dhurandhar —underlining a key filmmaking truth that every casting choice is ultimately about serving the story, not sidelining star power.

Also Read: Ranveer Singh starrer Dhurandhar rewrites overseas box office records in 2025; is now the biggest overseas grosser of 2025, surpasses Saiyaara with USD 20.9 million

In a significant order aimed at curbing the misuse of celebrity identities in the digital space, the Delhi High Court on Monday, December 22, passed an interim injunction safeguarding the personality rights of actor R Madhavan. The court restrained the unauthorised commercial use of the actor’s name, image, and likeness, while also directing action against obscene and misleading content circulated online.

The ad interim order was passed by Justice Manmeet Pritam Singh Arora, who acknowledged the growing threat posed by deepfake technology and AI-generated content. The court barred the sale of merchandise and other commercial products that exploit Madhavan’s personality traits without consent and ordered the removal of objectionable material found to be infringing upon his rights.

Appearing for the actor, Senior Advocate Swathi Sukumar detailed how several defendants had allegedly circulated deepfake and AI-generated content, including fabricated trailers and misleading visuals falsely associated with Madhavan. It was submitted that such material not only misrepresents the actor but also risks causing reputational harm.

The court was informed that Madhavan had already taken steps to address the issue by approaching social media platforms to seek removal of the infringing content before filing the suit. This aspect gained significance in light of the judge’s earlier clarification that individuals seeking urgent relief against objectionable online content must first exhaust remedies available with digital platforms before invoking judicial intervention.

While granting relief, Justice Arora specifically ordered an injunction against the sale of unauthorised merchandise linked to certain defendants and extended protection against obscene content circulated using the actor’s identity. The court observed that misuse of a public figure’s persona—particularly through advanced technologies—raises serious legal and ethical concerns.

The order adds R Madhavan’s name to a growing list of public figures who have sought judicial protection for their personality rights amid the rapid rise of AI-driven impersonation. Similar legal actions have previously been initiated by personalities such as Pawan Kalyan, Sunil Gavaskar, Salman Khan, and Jr NTR, while courts have also extended protection to figures including Sri Sri Ravi Shankar, Nagarjuna, Aishwarya Rai Bachchan, Abhishek Bachchan, and Karan Johar.

Notably, Justice Arora has recently passed comparable orders in favour of journalist Sudhir Chaudhary and podcaster Raj Shamani, recognising the heightened vulnerability of well-known individuals to digital misuse.

The ruling in Madhavan’s case reinforces the judiciary’s evolving stance on personality rights in the age of artificial intelligence, underlining that public visibility does not dilute an individual’s right to dignity, reputation, and lawful control over their identity.

Also Read: R Madhavan on Akshaye Khanna grabbing attention for Dhurandhar, “I cannot be happier for Akshaye, he deserves every bit of the adulation”

Indian television may be on the cusp of its next major game-show moment. After Kaun Banega Crorepati redefined appointment viewing with Amitabh Bachchan at its helm, Sony Entertainment Television is now gearing up to introduce another globally recognised format to Indian audiences — Wheel of Fortune, with Akshay Kumar set to host.

The move is being seen as one of the most high-profile television developments of the year, with Sony placing its full weight behind the project. At the centre of this strategy is Akshay Kumar, whose casting is widely viewed as the cornerstone of the show’s Indian adaptation. Industry insiders suggest the channel is aiming to build a large-scale, family-friendly entertainment property that can resonate across age groups, regions, and viewing platforms.

For over two decades, Indian television’s game-show space has been largely synonymous with Kaun Banega Crorepati, proving that audiences gravitate towards intelligent formats when fronted by a trusted and familiar face. With Wheel of Fortune, Sony appears to be attempting a fresh reinvention of that space. Sources indicate that Akshay Kumar was always the first and only choice to lead the show.

Industry sources confirm that Sony has acquired the Indian rights to Wheel of Fortune, one of the longest-running and most successful game shows in global television history. The channel is expected to begin shooting by mid-January. While the format itself carries strong international credibility, it is Akshay’s association that has generated the most buzz within television circles.

“Akshay brings a rare combination of superstar credibility and everyday relatability,” a source revealed. “He connects effortlessly with both metro audiences and small-town India. He’s quick on his feet, naturally funny, warm with contestants, and never intimidating — which is exactly what a show like Wheel of Fortune needs.”

The project also marks Akshay Kumar’s return to mainstream television hosting after earlier successful stints. Sony is reportedly betting on his ability to elevate the format without overpowering it. Known for his humour, infectious energy, and instinctive crowd connect, Akshay is expected to play an active role in shaping the tone of the Indian adaptation.

Originally launched in the United States in the 1970s, Wheel of Fortune has been adapted in over 60 countries and continues to be one of the most recognisable game shows worldwide. Sources add that Sony is investing heavily in production design, featuring a visually grand set, a larger-than-life wheel, and immersive sound design aimed at delivering a premium prime-time viewing experience.

With a globally proven format and one of Bollywood’s most bankable stars at the forefront, Sony is positioning Wheel of Fortune as a potential prime-time leader — anchored by Akshay Kumar’s star power and broad-based appeal.

Also Read: Saiyami Kher calls Haiwaan an “Absolute ball,” praises Akshay Kumar’s new avatar and Saif Ali Khan’s performance

Drishyam 3 has officially moved one step closer to the big screen, much to the excitement of fans who have been eagerly awaiting the next chapter of iconic thriller franchise starring Ajay Devgn. After the massive success of Drishyam (2015) and Drishyam 2 (2022), the makers have now unveiled an announcement video confirming the arrival of the third and final instalment.

Taking to Instagram, the team shared a gripping announcement video along with the caption, “Aakhri hissa baaki hai (The final chapter remains). In cinemas on 2nd October, 2026.” The video features Ajay Devgn reprising his much-loved role as Vijay Salgaonkar, delivering a powerful monologue that reflects on the lessons he has learned over the years. Vijay speaks about how truth can differ from person to person, asserting that his only unwavering truth is his family. He vows to never break, never accept defeat, and to remain the strongest pillar for his loved ones till the very end. The monologue is intercut with striking montages from earlier films and glimpses of new moments, hinting at yet another round of layered storytelling, moral dilemmas, and shocking twists that the franchise is known for.

The announcement also fulfils a promise made by Ajay Devgn earlier this month. During the trailer launch of De De Pyaar De 2, the actor had hinted that something special for Drishyam fans would be unveiled in December. “It (Drishyam 3) will get launched in December. Once that film is launched, we’ll be able to talk about it,” he had told at the event.

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Adding to the buzz, Mohanlal recently announced the wrap of the Malayalam version of Drishyam 3. Industry chatter suggests that both the Hindi and Malayalam versions are progressing simultaneously, maintaining parallel development.

The Hindi version of Drishyam 3 also stars Shriya Saran, Ishita Dutta, Mrunal Jadhav, Kamlesh Sawant, and Rajat Kapoor in key roles, alongside Devgn and Tabu. With the final showdown between Vijay Salgaonkar and IG Meera Deshmukh set to unfold, expectations are sky-high for what promises to be an intense and emotionally charged conclusion. Drishyam 3 is slated for a theatrical release on October 2, 2026.

Also Read: EXCLUSIVE: Has Paresh Rawal signed Drishyam 3? Actor clarifies, “Not true. The makers did approach me…its script is VERY good…”

2025 has been a milestone year for the three Khans – Aamir Khan, Shah Rukh Khan and Salman Khan. Aamir celebrated his 60th birthday on March 14 followed by SRK on November 2. Now, Salman Khan will turn 60 this Saturday, December 27, and as expected, fans are already in celebratory mood. What would make this year’s birthday extra special is that the teaser of his upcoming film, Battle Of Galwan, will be out on Salman’s big day.

A source told Bollywood Hungama, “The team of the film has been working on the teaser for some time. They feel that December 27 is an apt time to release the asset. It’ll introduce the world of Battle Of Galwan and give the audience an idea about the grandeur and scale of the film. It’ll also depict Salman Khan in all its glory, which the fans are sure to lap up.”

The source further said, “Before the teaser is out, the makers will be dropping one or two posters of Battle Of Galwan as well.” When asked about it, the source confessed that he doesn’t have clarity on that front. He said, “It should be out either on December 25 or December 26, and it’ll be followed by the launch of the teaser.”

Besides Salman Khan, Battle Of Galwan also stars Chitrangda Singh. Salman plays the role of Colonel Bikkumalla Santosh Babu in this film, which is based on a chapter in the book ‘India’s Most Fearless 3’ (2022), authored by Shiv Aroor and Rahul Singh. The film is inspired by the events of June 15, 2020, when Indian and Chinese soldiers clashed in the Galwan Valley during the COVID-19 pandemic. This confrontation was part of a larger border standoff along the Line of Actual Control (LAC). It is directed by Apoorva Lakhia of Shootout At Lokhandwala (2007) fame.

Also Read: Salman Khan starter Battle of Galwan first look to be unveiled on his birthday: Report

For FY 2024-25, Yash Raj Films (YRF) has posted what is best described as a profit-led year. On a relatively modest topline of Rs. 415.06 crore, the studio has delivered a net profit of Rs. 67.61 crore, translating into a net margin of around 16.29%. For a privately held production house operating in an entertainment-driven business, this level of profitability on a mid-sized revenue base underscores a conscious shift towards tighter slates, disciplined cost structures and more efficient monetisation of content and library assets.

This performance stands in sharp contrast to FY 2023-24, when YRF reported a far heftier revenue of Rs. 1,020.73 crore but a slightly lower net profit of Rs. 63.8 crore, implying a net margin of just about 6.25%. In effect, topline is down nearly 59% year-on-year, but net profit is up around 6%, more than doubling margins. FY 2023-24 was driven by Tiger 3 and legacy monetisation, but clearly with a much heavier cost and participation load. FY 2024-25, by comparison, is a light-slate, high-yield year where the studio has traded scale for stability and sharper per-rupee profitability.

Over the twelve financial years from FY 2013-14 to FY 2024-25, revenue has swung from sub-Rs 250 crore in the Covid year to over Rs. 1,500 crore in the Pathaan windfall year – classic boom-and-bust for a hit-driven studio. Across this period, YRF’s top line has compounded at roughly 7–8% annually, but through sharp peaks and troughs rather than a smooth climb. Average annual revenue and profit stand at about Rs. 635 crore and Rs. 55 crore respectively, with an average net margin just under 9%.

Taken together, YRF’s last twelve years underline that it remains a classic hit-driven studio, but one with a far thicker safety net than before. FY 2024-25 shows that even on a mid-sized topline, disciplined costs, smarter monetisation and franchise IP like the Spy Universe can deliver near-peak margins. The challenge and opportunity now is to marry FY25-style profitability with FY23-scale revenues when Mardaani 3 and Alpha hit screens. If that happens, Yash Raj Films’ financial script over the next decade could be as compelling as its biggest blockbusters.

Also Read: Yash Raj Films to release Ikkis overseas; industry heavyweights Aditya Chopra and Dinesh Vijan collaborate for the FOURTH time in 2025

Singer Kumar Sanu and his former wife Rita Bhattacharya are once again in the spotlight as a legal dispute unfolds years after their divorce. The veteran playback singer filed a defamation suit in the Bombay High Court against Bhattacharya, alleging that recent interviews she gave contained defamatory remarks that harmed his reputation and violated the terms of their divorce agreement.

In his petition, Sanu’s legal team, led by advocate Sana Raees Khan, has sought damages reported to be Rs 50 crores and has demanded that the interviews in question be taken down from various entertainment platforms. The suit claims that Bhattacharya’s statements breach a clause from their 2001 divorce settlement that prohibited either party from making allegations against the other in public.

Reacting publicly for the first time since the notice was issued, Bhattacharya described her shock at the legal action, particularly the financial demand involved. In an interview with ETimes, she said, “The paper he has sent me, he is asking for 50 crores. I don’t know how Sanu is dreaming that I have so much money. It is really sad. I’m shocked. He is filing a case against the mother of his three grown-up sons.”

The conflict partly stems from remarks made in media interviews and social media responses earlier this year, including reactions tied to comments by actor Kunickaa Sadanand about a past relationship with a married man. Bhattacharya and her son, Jaan Sanu, responded on social platforms, prompting further scrutiny and the subsequent lawsuit.

She further shared, “I never got a chance to talk to him. Neither my children ever got a chance to talk to him because he has always blocked us. I tried to call Sanu, but he never took our calls. We are blocked on his number." “I contacted his secretary and requested him to please stop this. It is a very big insult. My son was getting married, and the in-laws were asking questions. I requested many times. I have all the messages and recordings on my phone.”

Bhattacharya continued, “I am 63 years old, and again I have to fight in court. The first time he took me to court, I was pregnant with Jaan. Now again, at this age, I have to go through this. I will meet Sanu in the court after 31 years. This is very insulting. My children are not kids. They are grown-up men. My elder son will be 37, my second son will be 34, and Jaan is already 31. I don’t think it is their crime that they are answering people. They did nothing."

She also indicated she may pursue a counter-case, saying, “I will see him in court. And I will request Sanu with folded hands — just try to be a good human being and be the father of my three children. If you can’t love us, at least don’t disturb us and don’t harass us anymore."

In closing her remarks, Bhattacharya made a heartfelt appeal to her former husband, urging him to “be a good human being and be the father of my three children,” and asking that he stop what she described as harassment. The court is expected to hear the matter this month.

Also Read: Delhi HC grants interim protection to Kumar Sanu’s personality rights; orders takedown of infringing content

Nora Fatehi recently opened up about the frightening moments surrounding the serious car accident she was involved in earlier this year, an incident that left her with a concussion and temporarily halted her professional commitments. Recalling the experience, the actor-dancer described how the crash unfolded suddenly, leaving her disoriented and shaken.

As previously reported, the accident occurred when a drunk driver rammed into the car Nora was travelling in while she was on her way to attend the Sunburn Festival in Mumbai, where she was scheduled to appear alongside DJ and music producer David Guetta. Following the collision, her team immediately rushed her to the nearest hospital. Doctors conducted a CT scan to rule out internal bleeding, after which she was diagnosed with a concussion and advised rest.

Speaking about the incident, Nora said, “Hey guys, I'm just coming here to tell you that I am okay. Yes, I was in a really serious car accident. A drunk person who was driving under the influence smashed my car, and unfortunately, the impact was quite severe, and it flung me across the car. I bashed my head on the window.”

Sharing her health update, Nora asserted, “I'm alive, and I'm well. Except for some minor injuries, swelling, and a slight concussion, I'm okay. I'm grateful for that. That could have ended terribly, but I came to say this to say that this is why you should not drink and drive.I hate alcohol to begin with. In fact, I am not someone who has ever liked the idea of alcohol or anything like that, such as drugs, weed, anything that puts you in a different state of mind... It is not something I promote or even enjoy being around.”

She further continued, “You should not drink and drive. It's 2025. I cannot believe that this is even a conversation. I can't believe that this is even a scenario that has to happen. At 3 p.m. in the afternoon, I could never imagine someone would be driving under the influence and putting people in harm's way. Having said that, I just want to let everyone know I'm okay. I'm going to be suffering from pain for some time, but, thank God I am alive.”

A day later, Nora marked a strong return to the spotlight as she joined David Guetta on stage at Sunburn Festival 2025, turning what could have been a subdued comeback into one of the most talked-about moments of the event. Her appearance went beyond a symbolic gesture, as the duo teased their upcoming global single ‘Fire Starter,’ which also features Ciara. A high-energy remix of the track was played live, offering fans an early preview and generating immediate buzz.

The timing of the appearance aligned with a significant phase in Nora’s international journey. She recently made her U.S. television debut on The Tonight Show Starring Jimmy Fallon, performing ‘What Do I Know’ (Just A Girl) with Shenseea, and also delivered a high-impact performance at UNTOLD Dubai. Together, these moments underline a steady expansion of her global footprint.

Also Read: Nora Fatehi likely to make surprise appearance at David Guetta’s India concert

As Dhurandhar is continuing to rule the box office in India, the battle for the Christmas 2025 period is getting intense between the Kartik Aaryan led Tu Meri Main Tera Main Tera Tu Meri and the James Cameron film, Avatar: Fire and Ash. And in a surprising turn of events, exhibitors have decided to reduce the show count of Avatar: Fire and Ash on Christmas Day to accommodate the Kartik Aaryan rom-com at their properties.

"Jio Star Studios (Distributor of Avatar: Fire and Ash in India for Disney India) has permitted exhibitors to move the Christmas Day programming for Avatar: Fire and Ash as the exhibitors had strong pressure from the stakeholders of Tu Meri Main Tera Main Tera Tu Meri headlined by Kartik Aaryan with Ananya Panday. The show reduction process has already begun at independent chains, and approx. 30 per cent of the shows will be reduced for Avatar: Fire and Ash on Christmas Day, which will give a very good release to the Kartik Aaryan film," a trade source shared with Bollywood Hungama.

The exhibitors are bullish on Tu Meri Main Tera Main Tera Tu Meri as it's a happy film featuring a young star like Kartik Aaryan, and it fits the bill for the family plans over the holiday period of Christmas and New Year. "There is strong demand for Tu Meri Main Tera among the youth, and they are expected to ensure a strong start for the film on the opening day despite competition. The audience demand is driving the showcasing and programming, as Avatar: Fire and Ash has clearly not fired the way it should have at the box office," the trade source told Bollywood Hungama.

In contrast, Jio Studios has not permitted any reduction in shows for Dhurandhar on Christmas Day. Exhibitors are adhering strictly to the original showcasing commitments for the film.

Also Read: EXCLUSIVE: CBFC censors 15 seconds of sexually suggestive scene in Tu Meri Main Tera Main Tera Tu Meri

Emraan Hashmi has once again proved why he is considered one of the most committed and resilient actors in the industry. During a high-octane action sequence on the sets of Awarapan 2, Emraan reportedly suffered a serious abdominal tissue tear that required immediate medical attention and surgery. While most actors would have opted for an extended break, sources reveal that Emraan chose to return to the set much sooner than expected, driven by his dedication to the film, his role, and his audience.

According to sources, Emraan is currently back on location in Rajasthan, with the shoot proceeding under strict supervision. His action movements have been restricted and the schedule has been carefully revised to ensure his health is prioritised while the film continues to move forward smoothly.

His determination has reportedly deeply inspired the team, who are in complete awe of his passion and professionalism. Awarapan 2 is among the most awaited upcoming projects, and Emraan’s resolve to continue shooting despite the physical challenges has added even more emotional depth to the journey of the film. Fans, colleagues, and well-wishers are said to be rallying behind him as he delivers yet another powerful performance.

Also Read: Shabana Azmi on joining Emraan Hashmi starrer Awarapan 2, “My character comes in at a crucial juncture in the story”

Actor-dancer Nora Fatehi was involved in a car accident after a drunk driver rammed into her vehicle while she was en route to the Sunburn Festival for her scheduled appearance alongside international DJ David Guetta.

According to a source close to the development, the incident took place while Nora was travelling to the venue, following which her team acted swiftly and rushed her to the nearest hospital. Doctors conducted a CT scan to rule out any serious complications, including internal bleeding or hemorrhagic injury. Medical examinations later confirmed that the actor sustained a slight concussion as a result of the impact.

Despite being advised to rest, Nora chose to honour her professional commitment. The source revealed that she was keen on returning to work and insisted on making her scheduled appearance at Sunburn 2025 later that evening. Her decision, while medically cautious, was driven by her commitment to the event and her audience.

Also Read: Nora Fatehi likely to make surprise appearance at David Guetta’s India concert

Recent online reports claiming that actress Kriti Sanon is replacing Jacqueline Fernandez in Kick 2 are not true, according to a source close to the development.

The source said that stories suggesting that new casting decisions are already underway are completely baseless. “All reports doing the rounds about Kick 2, including speculation around casting changes, are completely false and baseless. No official details have been planned, and the makers will share information only when the time is right,” the source said.

This denial doesn’t mean the sequel won’t happen at all. Earlier updates confirmed that work on the Kick franchise is ongoing and the script has been in development, but there is no official plan at this time to share casting details.

Industry observers say that while Kick 2 remains a long anticipated sequel for fans of the 2014 blockbuster, official confirmation from the producers is still awaited, and speculation should be treated with caution until then.

Also Read: Salman Khan speaks on reuniting with Sajid Nadiadwala after 10 years for Sikandar instead of Kick 2; calls AR Murugadoss directorial “irresistible”