The Delhi High Court on Monday heard explosive claims that the will of late industrialist Sunjay Kapur, scion of the Sona BLW automotive group, was digitally fabricated to divert his Rs30,000-crore estate entirely to his third wife, Priya Kapur. What began as a private inheritance dispute has erupted into a courtroom thriller, with lawyers for Kapur’s children from his second marriage — Samaira and Kiaan Kapur, whose mother is Bollywood actor Karisma Kapoor — alleging a deliberate digital manipulation of files, secret WhatsApp groups, and a forged signature trail. The outcome could redefine not just the balance of one family’s fortune but the boundaries of digital evidence in India’s inheritance law.

“A will born on another man’s computer” Senior advocate Mahesh Jethmalani, representing the two children, told the bench that the contested will “was not the product of the deceased’s hand or mind” but a “manufactured document” created and edited on another man’s computer. According to Jethmalani, metadata shows that the will originated on the device of one Nitin Sharma, a person with no formal connection to Sunjay Kapur. “Who prepared this will?” he asked. “The file was created and altered on Sharma’s system on March 17, 2025 — the very day Sunjay was in Goa with his son Kiaan. It defies logic that he would rewrite his will on holiday while disinheriting his own children.”

The counsel added that the Word file was converted into a PDF on March 24 at 10:06 a.m., hours before a WhatsApp group named Family Office IC was formed to circulate it among a select circle that included Sharma, Priya Kapur, and Dinesh Agarwal, a director of Aureus Investment Pvt Ltd, part of the Sona BLW promoter group.

“Immediately after the document was shared,” Jethmalani said, “Priya Kapur responded, ‘Okay, thank you!’ — with no surprise or hesitation. It reads like an acknowledgment of a task completed, with no endorsement from the deceased.” Digital footprints and missing links Jethmalani argued that the electronic evidence showed multiple, unidentified edits before and after Kapur’s death, pointing to “a secretive and coordinated effort.” The will, he said, surfaced only on the 13th day after the cremation of the deceased. “There is no explanation for where this document was stored or who had possession of it,” he said. “The entire chain of custody is broken.” Contradictions and omissions The will, Jethmalani told the court, contains glaring internal contradictions — listing three bank accounts in one section and six in another, while omitting key properties including Kapur’s New York apartment, a 2010 family trust, and holdings in jewellery, artwork, and precious metals. “These are not clerical errors,” he said. “A Harvard-educated industrialist of Sunjay Kapur’s precision could not have drafted a document this casual.”

Even more striking, he said, are the incorrect addresses of Samaira and Kiaan and the five inconsistent spellings of his youngest son Azarias’ name. “A meticulous and affectionate father would never commit such mistakes,” he said. “A will standing on air” Jethmalani also drew attention to the absence of a schedule of assets, a mandatory annexure detailing the testator’s holdings. The bench itself described the omission as “a serious procedural lapse.”

“Without it,” Jethmalani said, “this will stands on air. It lists no inventory of what the deceased owned, and even the named executor appears unaware of the estate’s scale.” A matter of character and credibility To reinforce his case, Jethmalani portrayed Sunjay Kapur as “a devoted father and a perfectionist in both business and life,” citing his education at the University of Buckingham and Harvard Business School. “He never missed Kiaan’s birthdays,” he said. “The idea that such a man would exclude his children is beyond belief.” Concluding his arguments, Jethmalani declared: “This will should be cast into the dustbin of history. It bears no mark of the deceased’s hand or heart.” Court reaction and adjournment The High Court said the evidence raised “substantial questions” about the will’s origin and internal coherence. The case was adjourned to Tuesday, October 14, for further examination of the digital trail and the physical document’s custody.

Priya Kapur’s counsel maintains that “unimpeachable electronic evidence” supports the will’s authenticity. But for Samaira and Kiaan, the fight has become a broader test of truth — pitting memory against metadata in one of India’s most closely watched inheritance battles.

Also Read: Karisma Kapoor’s children’s lawyer calls Priya Sachdev “Cinderella’s stepmother” amid Rs 30,000-crores Sunjay Kapur estate legal battle 

Bollywood actor Jimmy Shergill, acclaimed for his performances in films such as Mohabbatein, Tanu Weds Manu, Special 26, and Saheb Biwi Aur Gangster, is mourning the loss of his father, Satyajit Singh Shergill, who passed away at the age of 90 on October 11. Satyajit Singh Shergill was a senior artist, reflecting the Shergill family's rich connection with art and creativity.​

Antim Ardas Details and Family Legacy The Bhog and Antim Ardas ceremony for the late Satyajit Singh Shergill will take place on October 14 from 4:30 p.m. to 5:30 p.m. at Gurudwara Dhan Pothohar Nagar, Santacruz West, Mumbai. The Shergill family traces its artistic roots to the iconic painter Amrita Sher-Gil, with Satyajit Singh’s family being related to the celebrated artist, thus underlining their deep ties to India's cultural and artistic heritage.

Jimmy Shergill has previously spoken about personal challenges and his relationship with his father, including tensions during his teenage years about his decision to cut his hair. Despite these personal struggles, Jimmy has remained a well-respected figure in both Hindi and Punjabi cinema. His latest work includes the Punjabi film Maa Jaye, released in August 2025, as well as appearances in the web series Ranneeti: Balakot & Beyond and the thriller Sikandar Ka Muqaddar.

Also Read: Jimmy Shergill breaks free from the ‘Chocolate Boy’ image: “Yeh he naach-gana karta raha, 3-4 saal mein ghar pe baith jaunga”

Shraddha Kapoor is on board for director Rahi Anil Barve’s upcoming film Pahadpangira. Putting to rest earlier speculations about her exit, the actor is not only slated to headline the dark fantasy project but also plans to contribute in a creative role alongside her acting duties. A report by Mid-Day indicates that Kapoor is captivated by the story’s originality and is actively offering creative input, with the possibility of serving as a creative producer for the film.

Reportedly, the shoot for Pahadpangira is expected to kick off in mid-2026, following Barve’s work on his Netflix series ‘Rakt Bramhand’. Kapoor will begin filming after she wraps up Laxman Utekar’s project later this year. The scheduling highlights Shraddha’s growing involvement in projects that push genre boundaries, and her commitment signals belief in the film’s potential to evolve into a franchise.​

Pahadpangira is described as a dark fantasy rooted in myth and folklore, tackling themes of feminism within the historical context of the Sati practice. It is speculated that Barve initially conceptualized Pahadpangira as part of the Tumbbad universe but later reimagined it as a standalone feature after parting ways with producer Sohum Shah. Meanwhile, Ektaa R Kapoor has been associated with the project as producer.

On the other hand, Shraddha Kapoor recently made headlines for announcing the animated theatrical film Chhoti Stree at the trailer launch event for Thamma. Sharing her excitement, Kapoor said, “Guys, Maddock Horror Comedy Universe is coming out with Chhoti Stree as an animated film! It’ll be released in theatres. It’ll be a dhamaal film for kids, families, basically, for everyone.” She further expressed, “It’s a really exciting time for India. It really feels amazing to be a part of this universe”.

Also Read: Shraddha Kapoor drops sun-kissed photos, calls mystery photographer ‘lucky’; see pics

After earning acclaim for his performance in Dhadak 2, Siddhant Chaturvedi seemed set to continue his momentum with Ramree, a two-hero OTT project backed by Ajay Devgn. However, the ambitious period drama has now reportedly been shelved before going on floors.

According to a report by Mid-Day, Ramree was conceived as a large-scale film set in 1945. The project, which had been under development for over a year, aimed to blend historical events with cinematic storytelling. However, given its elaborate setting and production requirements, the film’s mounting budget became a major hurdle.

A source close to the development told the publication, “For an OTT film, this would have set a benchmark in scale and imagination, but budget constraints caught up with it. Even though the platform heads were excited about the story, there was too much at stake financially. So, they decided not to move forward with it.”

Another insider offered a different perspective, suggesting that Ramree never reached the official greenlight stage. “A project is considered greenlit only when it goes on the floor. Ramree was an idea in development that did not move forward — a natural part of the creative process where multiple concepts are explored. While some take shape, some don’t,” the source explained.

The shelving of Ramree comes at a time when Siddhant Chaturvedi has been receiving praise for his recent performance in Dhadak 2, which released a couple of months ago. The film, co-starring Triptii Dimri, tells the story of Neelesh, a law student from a marginalized background, and Vidhi, an upper-caste girl. Through their relationship, Dhadak 2 explores the harsh realities of caste discrimination and societal prejudice, earning the actor widespread appreciation for his nuanced portrayal.

Also Read: Siddhant Chaturvedi turns heads at Singapore Grand Prix with Heineken 0.0

Actress Sangeeta Bijlani has formally applied for a gun license following a burglary at her farmhouse near Pavana, citing growing concerns over safety and the sluggish pace of the police investigation.

Bijlani recently met with Pune Rural Superintendent of Police Sandip Singh Gill to inquire about updates on the theft case. She revealed that despite the passage of about three and a half months since the incident, no significant breakthrough has been achieved.

Reflecting on the incident, she said, “I have been staying there for the last 20 years. Pavana has been a home to me, and it has been three and a half months since the horrific incident of theft at my farmhouse, but there is still no breakthrough.”

She added that SP Gill assured her the police would “go to the bottom of the case and nab the culprits.”

According to the complaint, in July, unidentified intruders had broken into her property and vandalised household items such as the refrigerator, televisions, and furniture. They also sketched obscene graffiti on the walls and made off with Rs. 50,000 in cash and a television valued at Rs. 7,000.

Describing the event as deeply unsettling, Bijlani remarked, “There was a theft and housebreaking. It was scary. Luckily, I was not there. There were obscene things and graffiti written on the wall inside the house.”

She emphasised that the burglary had shaken not just her but the broader community in Pavana. “There are several residents in Pavana, including senior citizens and families. Safety is important. Lately, because of these incidents, the residents of the Pavana area are feeling unsafe.”

Explaining her decision to seek a firearm license, Bijlani said, “In the wake of this incident, I have sought a firearm licence from the Pune rural police. As a woman, if I go alone to the house, I think some sort of protection needs to be there. I never felt the need to have a firearm licence, but this is the first time I am feeling insecure. I am in need of a firearm, and this is the first time I am feeling unsafe and a little afraid.”

She expressed hope that authorities will take stronger measures and expedite the investigation, thereby restoring confidence among residents in the area.

As the case develops, the local police and Bijlani’s team will likely push for faster resolution, while the actress awaits the decision on her firearm application.

Also Read : Burglary at Sangeeta Bijlani’s farmhouse in Pune, valuables stolen: Report

Kriti Sanon, actor, entrepreneur, producer, and UNFPA India’s Honorary Ambassador for Gender Equality, is set to take the global stage at the World Health Summit in Berlin as keynote speaker. As a prominent advocate for women’s health and empowerment, Kriti will join world leaders, policymakers, and experts for a pivotal discussion on Women’s Health-Global Wealth: Catalysing Returns on Bold Investments.”

The conversation will focus on the transformative impact of investing in women’s health, highlighting that such investments are not only morally imperative but essential for fostering stronger economies and thriving communities worldwide.

Kriti’s participation in this high-profile summit underscores her growing influence beyond the entertainment industry. From delivering powerhouse performances on screen to shaping trends as an entrepreneur and producer, she is now making waves as a global advocate for meaningful social change. Her role as UNFPA India’s Honorary Ambassador demonstrates her commitment to creating tangible impact, driving awareness, and inspiring action around gender equality and women’s health initiatives.

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By representing India on such a prestigious international platform, Kriti is setting a benchmark for Indian celebrities leveraging their visibility for global causes. Her presence reinforces the importance of inclusive, forward-thinking conversations around women’s health and positions her as a changemaker who seamlessly bridges the worlds of entertainment, entrepreneurship, and social advocacy.

Actor, entrepreneur, producer, and now an influential global advocate, Kriti Sanon continues to chart her own league of achievements. Her journey exemplifies how determination, vision, and purpose can translate into powerful, worldwide impact, proving that her influence is as far-reaching off-screen as it is on it.

Also Read: Amitabh Bachchan turns 83: Nimrat Kaur, Kriti Sanon, Milap Zaveri, Farhan Akhtar and other celebs send love to Big B!

National Award-winning actor Parvathy Thiruvothu is on an exciting creative streak. After making news for leading Hrithik Roshan’s production debut Storm, buzz now suggests she might be collaborating with filmmaker Bejoy Nambiar.

The speculation began after Bejoy shared a picture of Parvathy that appeared to be taken on a set. Alongside the photo, he wrote, “Thirteen years back, I saw her on the big screen in Maryaan and was absolutely mesmerized! After multiple attempts, we finally managed to do something together! Thank you @par_vathy! Hopefully, we won’t have to wait another 13 years to work together again!”

While neither has confirmed anything, the image has sparked curiosity about what could be brewing between the two. Adding fuel to the chatter is the fact that Parvathy and Bejoy have been long-time friends, often seen cheering for each other’s work. So, while it could easily be a casual moment captured between friends, many believe this might finally be the collaboration fans have been waiting for.

A partnership between Parvathy Thiruvothu and Bejoy Nambiar would feel entirely organic — both are known for their bold creative choices and emotional depth, with artistic sensibilities that naturally align. Following her upcoming project Storm, if Parvathy does team up with Bejoy, it could mark another compelling chapter in her ever-evolving journey.

Also Read: Hrithik Roshan rings in star-studded celebration with Storm cast; watch

Producer Boney Kapoor has dismissed recent reports claiming that actor Varun Dhawan has opted out of No Entry Mein Entry, the much-anticipated sequel to the 2005 comedy No Entry.

Over the weekend, several reports suggested that Dhawan had walked out of the film due to scheduling conflicts, following Diljit Dosanjh’s exit from the project. A report by Mid-Day had quoted a source stating, “Varun was very excited about No Entry 2, however, the changes in dates after Dosanjh's exit made things a bit complicated. Now Varun’s dates are locked for Bhediya 2.” The source further added that with both Dhawan and Dosanjh stepping away, the team was “back to the casting board.”

However, setting the record straight, Boney Kapoor told, “We are making No Entry Mein Entry, and Varun and Arjun are very much in the film. We are in active discussions to lock our other hero and the rest of the cast.”

Earlier in September, Kapoor had confirmed that Diljit Dosanjh is no longer a part of the sequel due to date issues. He told NDTV, “Yes, we have parted in good spirits as the dates were not aligning with our requirements. Hopefully, we will soon do a Punjabi film together.”

Dosanjh’s packed schedule — including his Aura Tour across Australia and New Zealand from October 26 to November 13 — reportedly clashed with the film’s shooting timeline. The singer-actor has been juggling multiple film commitments alongside his global tours, making coordination challenging.

The original No Entry, directed by Anees Bazmee and released in 2005, starred Salman Khan, Anil Kapoor, Fardeen Khan, Bipasha Basu, Esha Deol, Lara Dutta, and Celina Jaitly. The film went on to become one of the highest-grossing comedies of its time and recently completed 20 years in August 2025.

In 2024, Boney Kapoor and Anees Bazmee officially announced the sequel with a younger star cast, promising a refreshed take on the situational comedy that became a cult hit.

Also Read: No Entry 2 aiming for Christmas 2026 release, all three male leads to play double roles

In Malayalam cinema, references to beef and beef eating are common. No more so. According to a source in the know, all references to beef as cuisine will be banned by the Central Board of Film Certification(CBFC).

Recently, a reference to ‘beef biryani’ in the Malayalam film Haal was removed by the CBFC. The makers have now gone to court in the matter.

But a source in the know says that the CBFC’s beef over beef biryani is not a one-off thing.

“Malayalam films have, over the years, normalized references to beef consumption. It may be a part of the normal cuisine in Kerala for a certain section. But for the rest of the county, the cow is a sacred animal in the Hindu religion. Beef references will henceforth be removed from all films,” said the source.

On October 3, Bollywood Hungama informed readers about what to expect from the second asset of one of the most awaited films of the year, Dhurandhar. Now we bring to you another exciting update – the asset will be out online in just two days from now.

A source told Bollywood Hungama, “The second asset, which is a version of the ‘Jogi’ aka ‘Na De Dil Pardesi Nu’ will be released digitally on October 15. The idea is to enhance the excitement and bring the film back into focus and also to make it clear that it is indeed releasing on December 5. There were speculations that the film wouldn’t be able to make it on time. The song promo will put the rumours to rest as it’ll prominently mention December 5 as the release date. And it will also increase the buzz as it’ll give a little more idea about the film.”

Earlier, the source had told Bollywood Hungama, “The first look featured a version of the song ‘Jogi’. The next asset will feature another recreated version of the song. But it's more fast-paced and the visuals are also cut on the same line. There are no dialogues even this time. The idea of the makers is simple – build on the momentum of the first look, but at the same time, don’t give out too much about the film.”

There are also reports that the second asset will also be played in cinemas along with the big Diwali releases, namely Thamma and Ek Deewane Ki Deewaniyat. The source said, “Things will get clear on this front in a few days.”

Dhurandhar stars Ranveer Singh in the lead along with Sanjay Dutt, Akshaye Khanna, R Madhavan and Arjun Rampal. It is produced by Jio Studios and B62 Studios and directed by Aditya Dhar of Uri: The Surgical Strike (2019) fame. Last week, Bollywood Hungama broke the news that Ranveer Singh has finished the shoot, while a few days of work is left for Sanjay Dutt and Akshaye Khanna.

Also Read: EXCLUSIVE: Ranveer Singh wraps up Dhurandhar shoot; 2 days of work left for Akshaye Khanna, Sanjay Dutt

Bollywood’s long-running Salman Khan–Arijit Singh feud has seen its curtain call, with Salman himself setting the record straight on a recent episode of Bigg Boss 19. Speaking with comedian Ravi Gupta during the show’s Weekend Ka Vaar, Salman addressed years of speculation about the icy relationship between the superstar and the playback sensation — and confirmed reconciliation is now a reality.​

“Misunderstanding Mere Side Se Hui Thi” Salman Khan, ever candid, admitted that the misunderstanding with Arijit was actually on his part. “Arijit aur main acche dost hai. Woh misunderstanding thi aur woh misunderstanding mere side se hui thi. Uske baad usne gaane bhi kiye mere liye. Tiger 3 mein kiya usne, ab Galwan (Battle of Galwan) mein kar raha hai,” Salman shared, making it clear the past is behind them and the two are on friendly terms today.​

Their rift began in 2014, when Arijit accepted an award onstage during a ceremony hosted by Salman. Exhausted from back-to-back shows, Arijit’s humorous retort to Salman’s playful banter didn’t land as intended, reportedly offending the superstar. Shortly after, rumours swirled that Arijit’s songs were removed from several Salman films, including the noted replacement of his 'Jag Ghoomeya' track in Sultan with Rahat Fateh Ali Khan’s version.

The saga intensified in 2016, when Arijit openly apologized to Salman on Facebook, pleading for his vocals to remain in Sultan. The message quickly went viral but was later deleted, as Salman did not acknowledge it publicly for years. Collaboration between the two remained off-limits, fueling fan and media speculation.

That changed with Tiger 3 (2023), where Arijit returned as a playback singer for Salman, marking the first sign of reconciliation. Salman’s confirmation that Arijit will sing in his upcoming film, Battle of Galwan, serves as fresh proof that both have indeed moved past the misunderstanding.

Also Read: Salman Khan takes sarcastic dig at AR Murugadoss for saying he arrived at 8 PM on Sikandar sets: “Madharaasi is a bigger blockbuster”

A week is left for the arrival of the horror comedy Thamma and the intense romantic saga Ek Deewane Ki Deewaniyat in cinemas on the occasion of Diwali. This is the time when regional films typically refrain from releasing their films. But this year is going to be an exception. Both the Hindi Diwali releases will face competition from Marathi, Gujarati and Punjabi films.

Premachi Goshta 2, the sequel to the much-loved 2013 Marathi film Premachi Goshta, starring Atul Kulkarni and Sagarika Ghatge, will release in cinemas on October 21. The second part features Swapnil Joshi, Lalit Prabhakar, Rucha Vaidya and Ridhima Pandit. The trailer has been well-received due to its humorous moments and a novel twist in the story. It will be released by PVR Inox Pictures.

Interestingly, there was one more film, Punha Shivajiraje Bhosale, directed by Mahesh Manjrekar, which was all set to hit screens on the Festival of Lights. However, the mass-appealing film has now been shifted to October 31.

Gujarati cinema will present Chaniya Toli. It is backed by Anand Pandit Motion Pictures and stars Yash Soni, Ragi Jani, Nikita Sharma, Netri Trivedi, Heena Jaikishan, Sohni Bhatt and others with Janki Bodiwala of Shaitaan (2024) fame in a special appearance. The film is about a group of village women robbing a bank, leading to madness and chaos. The trailer of the ‘Gujarati Money Heist’ has got a huge response and exhibitors in Gujarat expect the film to surprise.

Finally, the Punjabi film Godday Godday Chaa 2, backed by Zee Studios, will also release on Diwali. It is the second part of Godday Godday Chaa (2023) and stars Ammy Virk, Tania, Gurjazz, Gitaj Bindrakhia, Nikeet Dhillon and others. Both parts of this series are directed by Vijay Kumar Arora, who recently helmed Son Of Sardaar 2.

Trade circles and exhibitors foresee an intense battle for screen space this Diwali. A trade expert observed, “Screen clashes are common when two major Hindi films release together. We just saw that happen with Kantara and Sunny Sanskari Ki Tulsi Kumari last week. This festive season, a similar tussle is expected, with Thamma and Ek Deewane Ki Deewaniyat vying for prime slots. What makes matters trickier is the strong regional lineup; Marathi, Gujarati and Punjabi films are arriving with big backers and built-in audiences. Their presence will amplify the competition in their respective territories, and exhibitors may have to strike a delicate balance while allocating shows.”

A single-screen exhibitor from Maharashtra noted, “Marathi films have been released on Diwali in the past. Mumbai Pune Mumbai 2, which is directed by Premachi Goshta 2 director Satish Rajawade, came on Diwali 2015 along with Katyar Kaljat Ghusali, despite the biggie Prem Ratan Dhan Payo being scheduled for a release on the same day. Yet, everything was managed well. This time, too, I don’t see it as a problem, though I don’t deny that things have changed a lot in terms of screen-sharing tactics in these last 10 years.”

Also Read: Thamma track ‘Dilbar Ki Aankhon Ka’ out: Nora Fatehi calls her high-energy return to MHCU “completely explosive”