Phonographic Performance Ltd (PPL) India has approached the Bombay High Court in a copyright infringement case involving comedian Kapil Sharma’s Netflix show The Great Indian Kapil Show. The organisation claims that three songs were used without permission in Season 3 of the series, which aired between June and September this year.

A report by Mid-Day stated that according to the commercial suit filed on December 12, PPL India says the episodes included popular tracks without securing the necessary licences from the rights holders. The episodes in question featured ‘M Bole To’ from Munna Bhai MBBS (2003), ‘Rama Re’ from Kaante (2002), and ‘Subha Hone Na De’ from Desi Boyz (2011).

PPL India states the use of these songs amounts to “public performance/communication to the public” under the Indian Copyright Act, which requires a licence. Neither the producers nor Netflix obtained permission before using the music, the complaint alleges.

The organisation also highlighted that the show is first recorded before a live audience, where the songs are played audibly, and later streamed on Netflix. This, it says, adds to the extent of the alleged infringement. Prior to filing the suit, PPL India issued a cease-and-desist notice in early November, but claims the response from the show’s makers was only a holding reply and did not stop the use of its sound recordings.

PPL India has asked the High Court to stop the use of its copyrighted music without a licence, reveal any earnings from the allegedly unauthorised use, and consider appointing a court receiver to seize infringing materials. The matter is expected to come up in the commercial division of the Bombay High Court soon.

Representatives for Kapil Sharma, Netflix, and the production companies had not commented at the time of reporting.

Also Read: Kapil Sharma admits that he was sceptical of the plot of Kis Kisko Pyaar Karoon 2: “The idea of one man married to 3 women from different religious communities sounded too controversial”

Two days are left for the release of Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, and the excitement is slowly building up thanks to its fresh look, youthful appeal, music and casting. The advance booking of the film commenced over the weekend and in this article, Bollywood Hungama will inform readers about the demand put forward by Dharma Productions’ in-house distribution team in front of the single-screen theatres and multiplexes.

A trade source told Bollywood Hungama, “The team of Tu Meri Main Tera Main Tera Tu Meri are aware that Dhurandhar is still unstoppable and will continue to find a huge audience on Christmas, when their film will arrive in cinemas. They also know that Avatar: Fire And Ash has taken up several shows and screens. Hence, they have asked for fair and modest showcasing, keeping in mind the realities.”

The source continued, “The distribution team of Tu Meri Main Tera Main Tera Tu Meri has asked for a minimum of 2 shows in theatres with 1 screen. In 2-screen plexes, they have asked for 5 shows. Multiplexes with 3, 4, 5 and 6 screens need to play 6, 8, 12 and 14 shows a day, respectively. Lastly, for multiplexes with 7 screens and more, the team of the film have asked for 16 shows. This is the minimum number of shows that they have requested.”

The source then said, “Despite these fair demands, the team of the film is struggling to get the desired number of shows. As of 9:00 am on December 23, only theatres with 4 more screens and more have opened bookings, that too in just one screen. Single-screens and 2 and 3-screen cinemas are yet to commence ticket sales as negotiations are still going on. Thankfully, Avatar: Fire And Ash didn’t get a release in single screens and hence, these theatres need to divide shows only between Dhurandhar and the romcom. But even that is proving to be a challenge as the demand for Dhurandhar is just not subsiding even after 18 days. Moreover, both Dhurandhar and Avatar: Fire And Ash are more than 3 hour films. So in multiplexes, dividing shows between the three films will also prove to be a challenge.”

An industry insider commented, “We have seen distributors being unreasonable and forcing cinemas to give 100% showcasing to their films. Keeping that in mind, kudos to Karan Johar and his team for being reasonable and practical and not asking for too many shows. Also, Tu Meri Main Tera Main Tera Tu Meri features a rising star like Kartik Aaryan and it belongs to a genre that has a lot of takers. Hence, we hope that cinemas give this film a chance.”

Also Read: Tu Meri Main Tera Main Tera Tu Meri faces copyright trouble; Trimurti Films moves Bombay HC against Karan Johar’s Dharma Productions over ‘Saat Samundar Paar’ use

Bengaluru-based D2C nutrition brand Supply6 has roped in actor and entrepreneur Kriti Sanon as its brand ambassador and investor, marking a strategic association rooted in her experience as a consumer of the brand’s products.

According to the company, the partnership evolved organically after Sanon began using Supply6’s offerings as part of her daily routine. Her continued engagement with the products eventually led to discussions around a deeper collaboration, aligning with her growing interest in the health and wellness space.

Founded in 2019 by Vaibhav Bhandari and Rahul Jacob, Supply6 focuses on addressing everyday nutritional gaps through routine-based consumption rather than trend-driven fitness solutions. Its product portfolio includes a daily nutrition drink, zero-sugar electrolytes and protein-based wafers. Sanon was first introduced to the brand through its zero-sugar electrolyte product, Supply6 Salts, which became a regular part of her routine.

The company stated that the association aims to strengthen its connection with urban consumers by emphasising simple, consistent habits such as hydration and balanced nutrition. Commenting on the partnership, co-founder Vaibhav Bhandari said Sanon’s transition from consumer to investor closely reflects the brand’s philosophy. He added that the collaboration will help Supply6 reach its next phase of growth by expanding its consumer base with a message grounded in everyday wellness.

View this post on Instagram

  A post shared by Supply6 — All-in-one Nutrition (@supply6)

Kriti Sanon, who has increasingly invested in consumer-facing businesses, said Supply6’s focus on practical nutrition drove her decision to join the company. She noted that the products were easy to integrate into daily life and that her trust in the brand’s science and intent developed over time, investing a natural progression.

The announcement comes shortly after Supply6 raised Rs 9.1 crore in a seed funding round led by Zeropearl VC, with participation from other investors. The company has also recently launched a Protein Wafer Bar containing 10 grams of protein, no maida and no added sugar. In addition, Supply6 is expanding its footprint in international markets, including the United States.

Supply6 had earlier onboarded former South African cricketer AB de Villiers as an investor and brand ambassador, strengthening its lineup of strategic partners as it scales its operations.

Also Read: Kriti Sanon on Tere Ishk Mein being called misogynistic, “That basically means the film made you think and feel and that is really important”

Yesterday, Bollywood Hungama broke the exciting news that the much-awaited teaser of Battle Of Galwan will be unveiled on the birthday of its lead actor Salman Khan, that is, December 27. We now bring to you one more update about the film and its release plans.

A source told Bollywood Hungama, “If all goes well, the release date of Battle Of Galwan will be mentioned in the teaser. This increases the excitement for the promo even more as not just fans, but even the industry and trade are curious to know when Salman Khan will bring his grand war epic into the cinemas.”

Bollywood Hungama had earlier reported that Battle Of Galwan is expected to release in June or July. Later, we also said that Salman is also toying with the idea of bringing the film on Eid and thus reclaiming the slot usually reserved for his films since 2009.”

The source further said, “The team of the film is looking at multiple dates. Eid was and is still in consideration. But since Dhurandhar 2 has been announced for an Eid release, the chances now are remote. Salman Khan is a fair person and he is clear that he would not like to clash with any other film. He feels it's wrong that someone has taken up a date and he should bring his film on the same day. Hence, the team is trying to get a date which is vacant and appropriate for a grand film like Battle Of Galwan. They are now looking at all the summer months, between March and June.”

The source continued, “There have been murmurs in the trade that one of the biggies, scheduled for a release in the summer, might get pushed. The team of Battle Of Galwan is closely keeping an eye on it and whether the team can take up that date. If that doesn’t happen, they’ll look for some other date. The team is working hard on this front and expect to lock the release date in a day or two and mention the same in the promo. There’s a small chance that they might not find an apt release date in the next 3-4 days. In such a scenario, no release date will be mentioned in the teaser. But they hope to find a slot and make it known to the world with the promo.”

Besides Salman Khan, Battle Of Galwan also stars Chitrangda Singh. Salman plays the role of Colonel Bikkumalla Santosh Babu in this film, which is based on a chapter in the book ‘India’s Most Fearless 3’ (2022), authored by Shiv Aroor and Rahul Singh. It is directed by Apoorva Lakhia.

Also Read: EXCLUSIVE: Teaser of Battle Of Galwan to be unveiled on Salman Khan’s 60th birthday on December 27

As 2025 draws to a close, the year stands out as a surprising one for the Indian film industry, marked by several sleeper hits. While the year is set to end with Kartik Aaryan’s Tu Meri Main Tera Main Tera Tu Meri, anticipation around a slate of 2026 releases is steadily building. One of the most keenly awaited among them is Shahid Kapoor’s fourth collaboration with filmmaker Vishal Bhardwaj, O Romeo.

The makers appear keen to wrap up filming quickly, with the final leg of the shoot scheduled to begin on December 28. The team is unlikely to take a break for New Year celebrations, as Bhardwaj plans to kick off a 10-day patch shoot at Vrundavan Studios in Malad.

According to a report by Mid-Day, this phase will include action sequences and dialogue-heavy scenes. A source quoted by the publication revealed, “It’s a patch shoot, with some action and dialogue-heavy scenes lined up.” The report further stated that the first two days will largely focus on Shahid Kapoor’s portions, while co-stars Triptii Dimri and Randeep Hooda will not be required during this phase.

View this post on Instagram

  A post shared by Shahid Kapoor (@shahidkapoor)

Following a brief New Year break, the production is expected to resume with an additional eight-day shoot in January 2026. This schedule will reportedly involve crowd scenes and sequences using body doubles. “If required, the actors may be asked to report for a day or two,” the source added. Meanwhile, post-production work on the action thriller is already underway to ensure the film stays on track for its February 13 release.

View this post on Instagram

  A post shared by Shahid Kapoor (@shahidkapoor)

Produced by Sajid Nadiadwala under the Nadiadwala Grandson Entertainment banner, O Romeo is being positioned as a visually driven, high-octane action thriller with a strong romantic thread. The film also stars veteran actor Nana Patekar. The film is slated for a Valentine’s Day 2026 release.

Also Read: BREAKING: Sajid Nadiadwala’s Shahid Kapoor-starrer O Romeo expands ensemble with Vikrant Massey, Tamannaah Bhatia, Disha Patani

Choreographer Vijay Ganguly has addressed the recent buzz surrounding the song ‘Shararat’ from Dhurandhar, firmly clarifying that Tamannaah Bhatia was never under consideration for the sequence. His statement comes in response to headlines and online chatter suggesting that the actress was “rejected” for the song—a claim he has categorically dismissed.

Taking to social media, Ganguly expressed disappointment over how conversations around creative decisions often get distorted. He highlighted how selective framing and sensationalised language can divert attention away from the craft itself. “I genuinely enjoy conversations around cinema and the many layers that go into making a film. That said, I've often refrained from putting myself out there because, at times, words get selectively lifted, misquoted or sensationalised to serve headlines rather than the craft. It's unfortunate that instead of the conversation staying on the song and the creative intent behind ‘Shararat’, the focus has shifted to comparisons between two wonderful artists, with strong and reductive terms like ‘rejections’ being used - something that was never the spirit of what was shared,” he wrote.

Ganguly went on to reiterate the collaborative nature of filmmaking and urged for a more nuanced understanding of creative choices. “Cinema is collaborative. It thrives on respect, nuance and context. I hope we can keep the spotlight where it belongs - on the work and the many people who pour their hearts into it,” he added.

Putting speculation to rest, the choreographer clearly explained why Tamannaah Bhatia was not part of the discussion for ‘Shararat’. “To clarify: Tamannaah Bhatia was never under consideration because her star power is so significant it might have overwhelmed the specific needs of this scene. In Dhurandhar, the music is woven into a high-stakes moment where the tension is key. The makers opted for two performers to keep the focus on the story's progression. This choice was about protecting the film's atmosphere and ensuring the narrative remains the hero of the sequence,” Ganguly stated.

His clarification effectively counters claims of rejection, instead highlighting that casting decisions are driven by storytelling requirements and tonal balance, rather than notions of acceptance or refusal. The emphasis, according to Ganguly, was on ensuring that the song served the film’s tension and narrative momentum without distraction.

Meanwhile, Tamannaah Bhatia continues to receive widespread appreciation for her recent work. She was last seen in The Ba***ds of Bollywood, where her song ‘Ghafoor’ has been trending across social media platforms, reinforcing her strong screen presence and popularity.

With Ganguly’s statement now on record, the focus returns to the creative intent of Dhurandhar —underlining a key filmmaking truth that every casting choice is ultimately about serving the story, not sidelining star power.

Also Read: Ranveer Singh starrer Dhurandhar rewrites overseas box office records in 2025; is now the biggest overseas grosser of 2025, surpasses Saiyaara with USD 20.9 million

In a significant order aimed at curbing the misuse of celebrity identities in the digital space, the Delhi High Court on Monday, December 22, passed an interim injunction safeguarding the personality rights of actor R Madhavan. The court restrained the unauthorised commercial use of the actor’s name, image, and likeness, while also directing action against obscene and misleading content circulated online.

The ad interim order was passed by Justice Manmeet Pritam Singh Arora, who acknowledged the growing threat posed by deepfake technology and AI-generated content. The court barred the sale of merchandise and other commercial products that exploit Madhavan’s personality traits without consent and ordered the removal of objectionable material found to be infringing upon his rights.

Appearing for the actor, Senior Advocate Swathi Sukumar detailed how several defendants had allegedly circulated deepfake and AI-generated content, including fabricated trailers and misleading visuals falsely associated with Madhavan. It was submitted that such material not only misrepresents the actor but also risks causing reputational harm.

The court was informed that Madhavan had already taken steps to address the issue by approaching social media platforms to seek removal of the infringing content before filing the suit. This aspect gained significance in light of the judge’s earlier clarification that individuals seeking urgent relief against objectionable online content must first exhaust remedies available with digital platforms before invoking judicial intervention.

While granting relief, Justice Arora specifically ordered an injunction against the sale of unauthorised merchandise linked to certain defendants and extended protection against obscene content circulated using the actor’s identity. The court observed that misuse of a public figure’s persona—particularly through advanced technologies—raises serious legal and ethical concerns.

The order adds R Madhavan’s name to a growing list of public figures who have sought judicial protection for their personality rights amid the rapid rise of AI-driven impersonation. Similar legal actions have previously been initiated by personalities such as Pawan Kalyan, Sunil Gavaskar, Salman Khan, and Jr NTR, while courts have also extended protection to figures including Sri Sri Ravi Shankar, Nagarjuna, Aishwarya Rai Bachchan, Abhishek Bachchan, and Karan Johar.

Notably, Justice Arora has recently passed comparable orders in favour of journalist Sudhir Chaudhary and podcaster Raj Shamani, recognising the heightened vulnerability of well-known individuals to digital misuse.

The ruling in Madhavan’s case reinforces the judiciary’s evolving stance on personality rights in the age of artificial intelligence, underlining that public visibility does not dilute an individual’s right to dignity, reputation, and lawful control over their identity.

Also Read: R Madhavan on Akshaye Khanna grabbing attention for Dhurandhar, “I cannot be happier for Akshaye, he deserves every bit of the adulation”

Indian television may be on the cusp of its next major game-show moment. After Kaun Banega Crorepati redefined appointment viewing with Amitabh Bachchan at its helm, Sony Entertainment Television is now gearing up to introduce another globally recognised format to Indian audiences — Wheel of Fortune, with Akshay Kumar set to host.

The move is being seen as one of the most high-profile television developments of the year, with Sony placing its full weight behind the project. At the centre of this strategy is Akshay Kumar, whose casting is widely viewed as the cornerstone of the show’s Indian adaptation. Industry insiders suggest the channel is aiming to build a large-scale, family-friendly entertainment property that can resonate across age groups, regions, and viewing platforms.

For over two decades, Indian television’s game-show space has been largely synonymous with Kaun Banega Crorepati, proving that audiences gravitate towards intelligent formats when fronted by a trusted and familiar face. With Wheel of Fortune, Sony appears to be attempting a fresh reinvention of that space. Sources indicate that Akshay Kumar was always the first and only choice to lead the show.

Industry sources confirm that Sony has acquired the Indian rights to Wheel of Fortune, one of the longest-running and most successful game shows in global television history. The channel is expected to begin shooting by mid-January. While the format itself carries strong international credibility, it is Akshay’s association that has generated the most buzz within television circles.

“Akshay brings a rare combination of superstar credibility and everyday relatability,” a source revealed. “He connects effortlessly with both metro audiences and small-town India. He’s quick on his feet, naturally funny, warm with contestants, and never intimidating — which is exactly what a show like Wheel of Fortune needs.”

The project also marks Akshay Kumar’s return to mainstream television hosting after earlier successful stints. Sony is reportedly betting on his ability to elevate the format without overpowering it. Known for his humour, infectious energy, and instinctive crowd connect, Akshay is expected to play an active role in shaping the tone of the Indian adaptation.

Originally launched in the United States in the 1970s, Wheel of Fortune has been adapted in over 60 countries and continues to be one of the most recognisable game shows worldwide. Sources add that Sony is investing heavily in production design, featuring a visually grand set, a larger-than-life wheel, and immersive sound design aimed at delivering a premium prime-time viewing experience.

With a globally proven format and one of Bollywood’s most bankable stars at the forefront, Sony is positioning Wheel of Fortune as a potential prime-time leader — anchored by Akshay Kumar’s star power and broad-based appeal.

Also Read: Saiyami Kher calls Haiwaan an “Absolute ball,” praises Akshay Kumar’s new avatar and Saif Ali Khan’s performance

Drishyam 3 has officially moved one step closer to the big screen, much to the excitement of fans who have been eagerly awaiting the next chapter of iconic thriller franchise starring Ajay Devgn. After the massive success of Drishyam (2015) and Drishyam 2 (2022), the makers have now unveiled an announcement video confirming the arrival of the third and final instalment.

Taking to Instagram, the team shared a gripping announcement video along with the caption, “Aakhri hissa baaki hai (The final chapter remains). In cinemas on 2nd October, 2026.” The video features Ajay Devgn reprising his much-loved role as Vijay Salgaonkar, delivering a powerful monologue that reflects on the lessons he has learned over the years. Vijay speaks about how truth can differ from person to person, asserting that his only unwavering truth is his family. He vows to never break, never accept defeat, and to remain the strongest pillar for his loved ones till the very end. The monologue is intercut with striking montages from earlier films and glimpses of new moments, hinting at yet another round of layered storytelling, moral dilemmas, and shocking twists that the franchise is known for.

The announcement also fulfils a promise made by Ajay Devgn earlier this month. During the trailer launch of De De Pyaar De 2, the actor had hinted that something special for Drishyam fans would be unveiled in December. “It (Drishyam 3) will get launched in December. Once that film is launched, we’ll be able to talk about it,” he had told at the event.

View this post on Instagram

  A post shared by Star Studio18 (@starstudio18)

Adding to the buzz, Mohanlal recently announced the wrap of the Malayalam version of Drishyam 3. Industry chatter suggests that both the Hindi and Malayalam versions are progressing simultaneously, maintaining parallel development.

The Hindi version of Drishyam 3 also stars Shriya Saran, Ishita Dutta, Mrunal Jadhav, Kamlesh Sawant, and Rajat Kapoor in key roles, alongside Devgn and Tabu. With the final showdown between Vijay Salgaonkar and IG Meera Deshmukh set to unfold, expectations are sky-high for what promises to be an intense and emotionally charged conclusion. Drishyam 3 is slated for a theatrical release on October 2, 2026.

Also Read: EXCLUSIVE: Has Paresh Rawal signed Drishyam 3? Actor clarifies, “Not true. The makers did approach me…its script is VERY good…”

2025 has been a milestone year for the three Khans – Aamir Khan, Shah Rukh Khan and Salman Khan. Aamir celebrated his 60th birthday on March 14 followed by SRK on November 2. Now, Salman Khan will turn 60 this Saturday, December 27, and as expected, fans are already in celebratory mood. What would make this year’s birthday extra special is that the teaser of his upcoming film, Battle Of Galwan, will be out on Salman’s big day.

A source told Bollywood Hungama, “The team of the film has been working on the teaser for some time. They feel that December 27 is an apt time to release the asset. It’ll introduce the world of Battle Of Galwan and give the audience an idea about the grandeur and scale of the film. It’ll also depict Salman Khan in all its glory, which the fans are sure to lap up.”

The source further said, “Before the teaser is out, the makers will be dropping one or two posters of Battle Of Galwan as well.” When asked about it, the source confessed that he doesn’t have clarity on that front. He said, “It should be out either on December 25 or December 26, and it’ll be followed by the launch of the teaser.”

Besides Salman Khan, Battle Of Galwan also stars Chitrangda Singh. Salman plays the role of Colonel Bikkumalla Santosh Babu in this film, which is based on a chapter in the book ‘India’s Most Fearless 3’ (2022), authored by Shiv Aroor and Rahul Singh. The film is inspired by the events of June 15, 2020, when Indian and Chinese soldiers clashed in the Galwan Valley during the COVID-19 pandemic. This confrontation was part of a larger border standoff along the Line of Actual Control (LAC). It is directed by Apoorva Lakhia of Shootout At Lokhandwala (2007) fame.

Also Read: Salman Khan starter Battle of Galwan first look to be unveiled on his birthday: Report

For FY 2024-25, Yash Raj Films (YRF) has posted what is best described as a profit-led year. On a relatively modest topline of Rs. 415.06 crore, the studio has delivered a net profit of Rs. 67.61 crore, translating into a net margin of around 16.29%. For a privately held production house operating in an entertainment-driven business, this level of profitability on a mid-sized revenue base underscores a conscious shift towards tighter slates, disciplined cost structures and more efficient monetisation of content and library assets.

This performance stands in sharp contrast to FY 2023-24, when YRF reported a far heftier revenue of Rs. 1,020.73 crore but a slightly lower net profit of Rs. 63.8 crore, implying a net margin of just about 6.25%. In effect, topline is down nearly 59% year-on-year, but net profit is up around 6%, more than doubling margins. FY 2023-24 was driven by Tiger 3 and legacy monetisation, but clearly with a much heavier cost and participation load. FY 2024-25, by comparison, is a light-slate, high-yield year where the studio has traded scale for stability and sharper per-rupee profitability.

Over the twelve financial years from FY 2013-14 to FY 2024-25, revenue has swung from sub-Rs 250 crore in the Covid year to over Rs. 1,500 crore in the Pathaan windfall year – classic boom-and-bust for a hit-driven studio. Across this period, YRF’s top line has compounded at roughly 7–8% annually, but through sharp peaks and troughs rather than a smooth climb. Average annual revenue and profit stand at about Rs. 635 crore and Rs. 55 crore respectively, with an average net margin just under 9%.

Taken together, YRF’s last twelve years underline that it remains a classic hit-driven studio, but one with a far thicker safety net than before. FY 2024-25 shows that even on a mid-sized topline, disciplined costs, smarter monetisation and franchise IP like the Spy Universe can deliver near-peak margins. The challenge and opportunity now is to marry FY25-style profitability with FY23-scale revenues when Mardaani 3 and Alpha hit screens. If that happens, Yash Raj Films’ financial script over the next decade could be as compelling as its biggest blockbusters.

Also Read: Yash Raj Films to release Ikkis overseas; industry heavyweights Aditya Chopra and Dinesh Vijan collaborate for the FOURTH time in 2025

Singer Kumar Sanu and his former wife Rita Bhattacharya are once again in the spotlight as a legal dispute unfolds years after their divorce. The veteran playback singer filed a defamation suit in the Bombay High Court against Bhattacharya, alleging that recent interviews she gave contained defamatory remarks that harmed his reputation and violated the terms of their divorce agreement.

In his petition, Sanu’s legal team, led by advocate Sana Raees Khan, has sought damages reported to be Rs 50 crores and has demanded that the interviews in question be taken down from various entertainment platforms. The suit claims that Bhattacharya’s statements breach a clause from their 2001 divorce settlement that prohibited either party from making allegations against the other in public.

Reacting publicly for the first time since the notice was issued, Bhattacharya described her shock at the legal action, particularly the financial demand involved. In an interview with ETimes, she said, “The paper he has sent me, he is asking for 50 crores. I don’t know how Sanu is dreaming that I have so much money. It is really sad. I’m shocked. He is filing a case against the mother of his three grown-up sons.”

The conflict partly stems from remarks made in media interviews and social media responses earlier this year, including reactions tied to comments by actor Kunickaa Sadanand about a past relationship with a married man. Bhattacharya and her son, Jaan Sanu, responded on social platforms, prompting further scrutiny and the subsequent lawsuit.

She further shared, “I never got a chance to talk to him. Neither my children ever got a chance to talk to him because he has always blocked us. I tried to call Sanu, but he never took our calls. We are blocked on his number." “I contacted his secretary and requested him to please stop this. It is a very big insult. My son was getting married, and the in-laws were asking questions. I requested many times. I have all the messages and recordings on my phone.”

Bhattacharya continued, “I am 63 years old, and again I have to fight in court. The first time he took me to court, I was pregnant with Jaan. Now again, at this age, I have to go through this. I will meet Sanu in the court after 31 years. This is very insulting. My children are not kids. They are grown-up men. My elder son will be 37, my second son will be 34, and Jaan is already 31. I don’t think it is their crime that they are answering people. They did nothing."

She also indicated she may pursue a counter-case, saying, “I will see him in court. And I will request Sanu with folded hands — just try to be a good human being and be the father of my three children. If you can’t love us, at least don’t disturb us and don’t harass us anymore."

In closing her remarks, Bhattacharya made a heartfelt appeal to her former husband, urging him to “be a good human being and be the father of my three children,” and asking that he stop what she described as harassment. The court is expected to hear the matter this month.

Also Read: Delhi HC grants interim protection to Kumar Sanu’s personality rights; orders takedown of infringing content