Saiyaara is a film of many firsts. It marks the much-anticipated debut of Ahaan Panday and also the first time that Mohit Suri has teamed up with Yash Raj Films (YRF). It is also the first time that Akshaye Widhani has turned producer. And now, it has come to light that it is also the first theatrical release of YRF, which has Netflix as its OTT partner.

The Netflix logo appears during the end credit song, making it clear that the streaming giant has come on board for the romantic, musical saga. The development is significant because, until now, all films of YRF have been released on Amazon Prime after the completion of their theatrical run. With Saiyaara, a new chapter has been written between the prestigious production house and the global streaming giant.

Interestingly, this is not the first time that both have come together for a project. YRF established its vertical, YRF Entertainment, which dabbles in making web series and digital films and also focuses on content for international audiences. The first digital drop from this vertical was The Romantics. The docu-series premiered on Netflix on February 14, 2023 and honoured Yash Chopra and Yash Raj Films’ rich cultural legacy of 50 years. This was followed by The Railway Men the same year. Starring Kay Kay Menon, R Madhavan, Divyenndu and Babil Khan, the thrilling mini-series paid a tribute to the railway workers at Bhopal station, also the unsung heroes of the 1984 Bhopal gas tragedy.

In 2024, YRF unveiled Maharaj, which marked the debut of Junaid Khan. The controversial courtroom drama also starred Sharvari, Jaideep Ahlawat and Shalini Pandey. In November, the slice-of-life sports film, Vijay 69, starring Anupam Kher, arrived on the OTT platform and won hearts.

Just last week, YRF’s big-budget mystery show, Mandala Murders, starring Vaani Kapoor, released on Netflix. Earlier this year, at a grand Netflix event, YRF Entertainment announced that they have one more show in the offing, Akka, starring Keerthy Suresh, Radhika Apte and Tanvi Azmi.

Coming back to Saiyaara, this Ahaan Pandey-Aneet Padda starrer continues to rule in cinemas and is all set to cross the Rs. 300 crore mark by the end of its third weekend. As it happens with any other Hindi theatrical release, the Netflix premiere of Saiyaara will not happen anytime soon, more so when the film is unstoppable at the box office.

Also Read: “Saiyaara is everything a love story should be”: Tara Sutaria on why Mohit Suri directorial is striking a chord; reveals she’s been called “Boring” for listening to 50s and 60s music

Son of Sardaar 2, the much-awaited sequel to the 2012 hit, is turning up the laughter meter this weekend—and audiences are loving every second of it. After a successful theatrical launch on Friday, August 1st, 2025, the makers have now extended a massive 50% discount offer on tickets through the weekend, making it the perfect time for a fun-filled family movie outing.

Audiences can avail up to Rs. 200 off on their tickets using the code SOS2 across select platforms. The move comes after a phenomenal opening day response and glowing audience reviews praising the film's comedy, chaos, and energetic performances. “Kyuki ab hassne ka samay aa gaya hai (It’s time to laugh your heart out)!” the team declared while announcing the extension of the offer, emphasizing that the film is all about spreading joy and turning the weekend into a laughter riot.

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Son of Sardaar 2 features a power-packed ensemble of actors like Ravi Kishan, Sanjay Mishra, Mrunal Thakur, Neeru Bajwa, Chunky Panday, Kubbra Sait, Deepak Dobriyal, Vindu Dara Singh, Ashwini Kalsekar, Roshni Walia, Sharat Saxena, Sahil Mehta and the late Mukul Dev, in a memorable role, promising madcap mayhem, Directed by Vijay Kumar Arora, the film is a rollercoaster of cultural comedy, hilarious misunderstandings, and heartwarming moments, promising wholesome entertainment for all age groups.

Presented by Jio Studios and Devgn Films, the film is produced by Ajay Devgn and Jyoti Deshpande, along with N R Pachisia and Pravin Talreja, and co-produced by Kumar Mangat Pathak. The movie is released under Devgn Films and SOS 2 Limited banners. With footfalls rising and buzz growing across social media, the extended offer is expected to further boost the film’s already strong box office run.

Also Read: Ajay Devgn mimics Sunny Deol, Suniel Shetty, Jackie Shroff in hilarious Border spoof in Son of Sardaar 2

The winners of the 71st National Film Awards were unveiled at the National Media Centre in New Delhi on Friday, honouring cinematic excellence for films certified in 2023. Among the major winners, Kathal: A Jackfruit Mystery stood out, clinching the prestigious Best Hindi Film award. The satirical social drama, produced by Guneet Monga Kapoor under the Sikhya Entertainment banner, was recognised for its sharp storytelling and impactful themes.

Celebrating the win, Guneet Monga Kapoor expressed her heartfelt gratitude in a statement: “Every time a story from the heart of India is honoured, it’s a win for every voice that deserves to be heard. We are incredibly honoured to receive the Best Hindi Film award for Kathal at the 71st National Film Awards. Grateful beyond words for this recognition.”

She acknowledged the film’s director, Yashowardhan Mishra, and co-writer Ashok Mishra, calling the story “sharp, original, and deeply human.” Guneet also extended thanks to producing partners Ekta Kapoor and Shobha Kapoor of Balaji Telefilms, Netflix India, and her own team at Sikhya Entertainment, including co-producer Achin Jain.

A special mention was made for lead actress Sanya Malhotra, whose portrayal of Mahima, a determined police officer. Guneed added, “Kathal wouldn’t have been possible without the unconditional support of my co-producer Achin Jain and the incredible team at Sikhya Entertainment, this journey wouldn’t have been possible without your belief and support. And to Sanya Malhotra, your performance as Mahima was both powerful and full of heart.”

She added, “You brought Mahima to life with such nuance, warmth, and unwavering strength, dil jeet liya! Thank you for leading this story with such grace, authenticity, and quiet power. Set and shot entirely in the culturally rich state of Madhya Pradesh, Kathal is a satirical tale rooted in the everyday, a reminder that truth often hides in the most unexpected places. MP ki saadgi ne humari film ko aur khoobsurat bana diya! This win is for every storyteller who dares to look closer and tell stories that matter. Bahut bahut shukriya!”

With this award, Kathal cements its place among the year's most impactful films, continuing Guneet Monga Kapoor’s legacy of producing socially conscious cinema with heart.

Also Read : Guneet Monga Kapoor leads launch of Women in Film India, fellowship announced at Cannes Film Festival 2025

The winners of the 71st National Film Awards were officially announced on Friday at a press conference hosted by the Ministry of Information and Broadcasting at the National Media Centre, New Delhi. The prestigious awards honour excellence in Indian cinema and recognise films certified by the Central Board of Film Certification (CBFC) between January 1 and December 31, 2023.

Among the biggest winners this year was Karan Johar’s Rocky Aur Rani Kii Prem Kahaani, which took home two major honours. The romantic family drama, known for its vibrant storytelling and strong ensemble cast, won the award for Best Popular Film Providing Wholesome Entertainment. The category celebrates films that resonate widely with audiences while upholding cinematic and emotional integrity.

In addition, the film also bagged the award for Best Choreography for the energetic and visually striking number ‘Dhindhora Baje Re’, choreographed by Vaibhavi Merchant. The elaborate dance sequence, featuring leads Ranveer Singh and Alia Bhatt, was praised for its grandeur, fusion of classical aesthetics, and impeccable execution.

Reacting to the recognition, director Karan Johar shared, “I am ecstatic and overwhelmed to win the national award for a film exceptionally close to my heart. Rocky Aur Rani Kii Prem Kahaani.. I am grateful to the jury and continue to be humbled by the enormous love the film continues to recieve.”

The National Film Awards continue to serve as one of the most credible platforms in recognising artistic merit across languages and genres in Indian cinema. With Rocky Aur Rani Kii Prem Kahaani securing key wins, the film's success highlights the enduring appeal of mainstream cinema that blends traditional values with modern narratives.

The full list of winners showcases the diversity and evolving creativity in Indian filmmaking, affirming the industry’s commitment to both entertainment and excellence.

Also Read : From Alia Bhatt to Malaika Arora: 5 Bollywood diva’s who light up the perfect light

The winners of the prestigious 71st National Film Awards were announced on Friday at the National Media Centre in New Delhi, honouring excellence in Indian cinema for the year 2023. Among the standout achievements this year, Rani Mukerji bagged the National Award for Best Actress in a Leading Role for her powerful performance in Mrs. Chatterjee vs Norway.

The emotional courtroom drama, directed by Ashima Chibber and produced by Monisha Advani, Madhu Bhojwani, and Nikkhil Advani under the banner of Emmay Entertainment, struck a chord with audiences and critics alike. Based on true events, Mrs. Chatterjee vs Norway narrated the harrowing journey of a mother fighting a foreign legal system to regain custody of her children. Rani Mukerji's portrayal of Debika Chatterjee — a mother’s raw, unrelenting fight — was widely praised and now stands recognized at the highest national level.

On winning the award Rani Mukerji stated, “I’m overwhelmed to have won the National Award for my performance in Mrs Chatterjee vs Norway. Incidentally, this is the first ever National Award in my 30 year career. As an actor, I have been fortunate to have some incredible films in my body of work and have got so much love for them. I thank the National Award jury for honouring my work in Mrs Chatterjee vs Norway. I share this moment with the entire team of the film, my producers Nikkhil Advani, Monisha and Madhu, my director Ashima Chibber, and everyone who worked on this truly special project that celebrated the resilience of motherhood. For me, this award is also a validation of my 30 year body of work, my dedication to my craft with which I feel a deeply spiritual connection and my passion for cinema and this beautiful film industry of ours.”

She stated, “I dedicate my National Award to all the incredible mothers of this world. There is nothing like a mother’s love and her ferocity to protect her own. The story of this Indian immigrant mother who went all out for her child and took on a nation shook me deeply.. a mother's love for her child is unconditional…I realised this when I had my own. So, this win, this film feels deeply emotional and personal. A mother can move mountains for her children and also make the world a better place. This film tried to show this.”

Rani further elaborated, “It also feels the apt time to again thank all my fans, from across the world, who have relentlessly supported me through thick and thin for these 30 years! Your unconditional love and support is everything that I have ever needed to stay motivated, to show up at work every day and to deliver performances that have entertained you. You’ve embraced every role, every character, every story I’ve had the good fortune to bring to life. So, without you I would be a nobody today.

Rani delivered a powerful performance, infusing the character with raw emotion, vulnerability, and strength. She authentically portrayed the pain and determination of a mother who refused to back down. The emotional intensity she brought to both the courtroom scenes and the more subdued moments of maternal grief is profoundly affecting and uplifting.

The film not only highlighted cultural tensions and the indifference of bureaucracy but also reinforced Rani’s exceptional talent in leading a film with grace and depth.

Also Read : Rani Mukerji and Vikrant Massey to win National Awards this time?

The month of August is here and the release of Coolie is less than two weeks away. The excitement for it is sky-high as it marks superstar Rajinikanth’s first film with blockbuster filmmaker Lokesh Kanagaraj. Meanwhile, in a significant development, the film has been awarded an ‘A’ certificate by the Central Board of Film Certification (CBFC). This was confirmed by the producers, Sun Pictures, on their official social media accounts today at 6:00 pm.

Interestingly, in more than 3 ½ decades, Rajinikanth’s films haven’t received ‘A’ rating. His movies have essentially been lapped up by the audience of all ages but Coolie will clearly be an exception. In the 80s, several of his films were given an adult rating, like Puthukavithai (1982), Ranga (1982), Naan Sigappu Manithan (1985), Netrikkan (1981), etc. Oorkavalan (1987) is also said to be ‘A’ rated, as per his fans, but Bollywood Hungama couldn’t verify it. Siva (1989) was the last film of the mega star to be awarded an ‘A’ certificate. In other words, Coolie is Rajinikanth’s first adult film in 36 years. Interestingly, Coolie is also Lokesh Kanagaraj’s first adult film ever.

Coolie is all set to clash with another gigantic film, War 2, starring Hrithik Roshan and Jr NTR, on August 14. With the film being given an adult rating, it remains to be seen whether its prospects will be affected, especially in the Hindi-speaking markets, more so when it faces tough competition from the YRF Spy Universe saga. But then, the success of films like Animal (2023), Kabir Singh (2019) etc. have proved that A-rated films can also excel big time at the ticket window, if they get widespread acceptance from the target audience.

Coolie’s much-awaited trailer will be out tomorrow, that is, August 2. It is keenly awaited as that would finally give an idea of how well it can work in the Northern belt. The film also stars Aamir Khan and Nagarjuna in supporting roles.

Also Read: Sanskaari CBFC springs a surprise; allows NAKED butt scene in Liam Neeson’s The Naked Gun

The outrageous adult comedy The Naked Gun has been released today, August 1, in cinemas and it has been noticed due to the popularity of the series, casting and hilarious trailers. There was apprehension among the fans of the series about whether the Central Board of Film Certification (CBFC) would recklessly ask for cuts in adult scenes. But in a rare instance, the CBFC hasn’t made any major changes in the film.

As per the cut list, the Examining Committee of the CBFC just deleted a one-second ‘obscene visual’ at 41 minutes into the film. What has astonished the fans is that there’s a 2-3 second shot of lead actor Liam Neeson’s naked butt. The CBFC, however, neither asked the studio to blur the posterior of the veteran actor nor instructed them to do away with the shot.

After the only cut was implemented, The Naked Gun received a censor certificate on July 25. The film was passed with an ‘A’ rating. The length of the film, as mentioned on the censor certificate, is 87.31 minutes. In other words, The Naked Gun is 1 hour, 27 minutes and 31 seconds long.

A trade source commented, “One can argue that since The Naked Gun received an ‘A’ rating, the butt shot has been allowed. But then, there have been instances in the past where the CBFC has cut scenes even in adult films. A recent example is that of the Ranbir Kapoor-starrer Animal (2023), where close-up shots in an intimate scene were axed despite the film getting an adults-only rating. While violent scenes often are untouched, the CBFC often targets such scenes, which is why it is called the ‘Sanskaari Censor Board’.”

However, an industry insider reminded, “Maybe, the CBFC has no issue with showing male butt. Wasn’t Ranveer Singh’s buttock shot in Befikre (2016) approved by CBFC, that too with a U/A rating?”

Also Read: Pamela Anderson opens up on playing Femme Fatale in The Naked Gun: “I work a lot on the character”

Vikrant Massey indeed is the best actor of this generation as he has been awarded the prestigious National Award for Best Actor for his powerful performance in 12th Fail, where he plays the real-life IPS officer Manoj Kumar Sharma. Directed by Vidhu Vinod Chopra, the film narrates the extraordinary journey of a young man from a humble background who dares to dream big. Battling poverty, self-doubt, and the pressure of India’s most competitive examination — the UPSC — Manoj’s story is one of perseverance and hope. With this win, Vikrant has firmly asserted his place the best actor of this generation.

Massey’s portrayal of Manoj has been widely celebrated for its sincerity, subtlety, and emotional depth. His ability to embody the vulnerability and resilience of the character made the performance both relatable and inspiring. The film struck a chord with audiences across the country, and critics hailed Massey’s work as one of the finest performances in recent years.

This National Award win not only recognizes his hard work and dedication but also marks a significant milestone in his career. From television to cinema, Vikrant has steadily carved a niche for himself as an actor who brings authenticity and gravitas to every role. With each project, he continues to prove why he is among the best in the business.

Sharing  his reaction on winning the National Award, Vikrant said in a statement, "I want to thank the Honourable Ministry of Information and Broadcasting, the NFDC, and all the esteemed jury members of the 71st National Film Awards for considering my performance worthy of this recognition. I also want to thank Shri Vidhu Vinod Chopra ji for giving me this opportunity."

He added, "Today, if I may say so, a 20-year-old boy’s dream has come true. I am eternally grateful to the audiences for honouring my performances and for recommending this film with such love. It is a privilege to be sharing my first National Award with an icon like Shah Rukh Khan. Lastly, I dedicate this award to all the marginalised people in our society — those who are often looked through, and those who are fighting the socio-economic paradigm of our country every single day."

Up next, Vikrant will be seen stepping into the shoes of renowned spiritual leader Sri Sri Ravi Shankar for an upcoming biopic — yet another challenging role that showcases his range and fearlessness as a performer. With a string of memorable roles and now a National Award to his name, Vikrant Massey has truly emerged as one of the most bankable and respected talents in Indian cinema today.

Also Read: Shah Rukh Khan wins first National Award for Jawan, 33 years after his film debut

Shah Rukh Khan is finally set to receive his first National Film Award for Best Actor for his performance in Jawan (2023), over three decades after making his big-screen debut in Deewana in 1992. Despite delivering several memorable and widely acclaimed performances over the years, this will mark his first win at India's most prestigious film award ceremony.

Directed by Atlee, Jawan featured Khan in dual roles and was praised for its blend of mass appeal and meaningful storytelling. The film saw him portraying both a vigilante and an army officer, navigating themes of justice, social reform, and personal redemption. It became one of the highest-grossing Indian films of 2023 and reaffirmed Khan’s position as a powerful performer, not just a star.

Having said that, it is worth mentioning here that Shah Rukh and team had hosted a press conference for Jawan, where he had said, “Genuinely, I feel that I think Jawan is a feeling that every Indian has. I think Jawan is an emotion. Jawan is an Indian soldier, Jawan is an Indian mother, Jawan is an Indian girl, Jawan is an Indian vigilante, and you have to understand that Jawan many times, is very weak because it's all of us, and many times, he's ready for a fight. Jawan is wrong many times, but very many times, he's also right. Jawan, sometimes will live in the darkness. Sometimes, Jawan will be the one who will be emanating the light, and finally, all of us, and every Indian is Jawan who is upright. Honesty, goodness, love, and that's what the whole movie stands for.”

Directed by Atlee and produced by Gauri Khan under Red Chillies Entertainment, Jawan brings together an ensemble cast, including Nayanthara, Vijay Sethupathi, Sanya Malhotra, Priyamani, Sunil Grover, and Eijaz Khan. Deepika Padukone also makes a special appearance in the film.

Also Read: Tahir Raj Bhasin aims to bring Shah Rukh Khan’s style disruption to Bollywood; says, “SRK today is an icon, but what he was doing in the 90s, were all the kind of heroes”

Actor Rajniesh Duggall is stepping into darker territory with his next project, Ek Chatur Naar, a dark comedy thriller helmed by acclaimed director Umesh Shukla. The film also stars Neil Nitin Mukesh, Divya Khossla and is currently in the final stages of production.

Known for socially resonant films like Oh My God and 102 Not Out, Shukla's upcoming directorial takes a sharp detour into a world of twisted humor, revenge, and suspense. While the plot remains tightly under wraps, sources close to the production have revealed that Ek Chatur Naar is centered around a revenge saga that revolves heavily around Divya Khossla’s character and her vendetta against Neil Nitin Mukesh’s.

Rajniesh Duggall, who has carved a niche for himself with performances in Inspector Avinash, Video Cam Scam, and Netflix’s Postcards, will be playing a pivotal role in the multi-layered narrative. While the makers are keeping his character details a secret, insiders hint that his presence will be central to the film’s darker turns.

A source revealed, “It’s a revenge drama that pivots around Divya’s character seeking vengeance from Neil’s. Rajniesh’s character adds a twist in the narrative that will change the power dynamics completely.”

The film’s intriguing title, Ek Chatur Naar, inspired by the iconic song from Padosan, hints at a clever, satirical take on power and manipulation — something fans can expect from Shukla’s signature storytelling style.

This marks the first time Neil Nitin Mukesh, Divya Khossla, and Rajniesh Duggal will share screen space, and industry buzz suggests their chemistry will be a highlight. With a gripping plot, a fresh ensemble, and a genre-bending tone, Ek Chatur Naar is shaping up to be one of the most anticipated thrillers of the coming year. Stay tuned as the makers gear up for an official teaser drop soon.

Also Read: Subhash Ghai, Karan Razdan, Rajniesh Duggal and others grace the announcement of film ‘Saira Khan Case’

On August 1, not just Son Of Sardaar 2 and Dhadak 2 but even the re-release of Raanjhanaa’s (2013) Tamil version, Ambikapathy, hit cinemas. This is the first film that has caused a controversy on its re-release as the studio, Eros International, changed the ending of the film using AI, without the knowledge and approval of its director, Aanand L Rai. While it was known that the new ending is a happy one, as opposed to the tragic ending of the original version, no one knew how it would be depicted in the film. But now that the film has been released, the cat is out of the bag.

The original ending Raanjhanaa ends with an injured Kundan (Dhanush) being brought to the hospital. He vomits blood, to the shock of his childhood friends, Murari (Mohd Zeeshan Ayyub) and Bindiya (Swara Bhasker). Zoya (Sonam Kapoor), the love of Kundan, arrives and caresses the lifeless body of Kundan.

The altered AI ending In the new version, the scene of Zoya touching Kundan’s face is cut to another shot where Kundan can be seen breathing. Murari and Bindiya can be seen observing the same from outside the hospital room. A few seconds later, both Murari and Zoya also enter the room and can be seen smiling. Finally, Kundan opens his eyes. In the next shot, he wakes up as a celebratory background score is played. The legendary final shot – featuring the kid Kundan and adult Kundan crossing paths – follows and that’s where the film ends.

What has surprised the audience is that the AI effect has been brought upon beautifully. In fact, those who have not seen the original version would not even be able to determine that the shot of Kundan waking up hasn’t been shot in real life at all. Meanwhile, there have been reports of shows having good occupancy and Dhanush’s fans creating a frenzy in cinemas over the new, happy ending as well as other heroic scenes of their favourite actor.

The controversy However, the decision to have an AI-altered ending has led to a tiff between the studio and Aanand L Rai. Yesterday, Aanand wrote a long post on Instagram, “…I do not support or endorse the AI-altered version of Raanjhanaa. It is unauthorised. I had no role in it. Neither did the team that made the film. And whatever it claims to be, it is not the film we intended, or made. This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What’s now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul. The idea that our work can be taken and modified by a machine, then dressed up as innovation, is deeply disrespectful…”

He further added, “If Raanjhanaa meant something to you, as it did to us, please know that this AI-altered version does not reflect who we were. Nor does it carry the spirit of the film we made.”

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Aanand L Rai had earlier also made his displeasure clear over the ‘reimagined version’ and shared a statement. Consequently, Eros issued a statement saying, “We at Eros International Media Limited categorically reject and strongly object to the unfounded and sensationalist remarks made by Mr Aanand L. Rai regarding the AI-enhanced re-release of Raanjhanaa. These remarks are not only factually incorrect and misleading, but appear to be a deliberate negative PR stunt designed to distract public and industry attention from serious and ongoing legal matters concerning Mr Rai and Colour Yellow Productions Pvt. Ltd. We view Mr Rai’s public outburst, especially timed just days after these disclosures, as a conscious attempt to shift focus away from the legal and governance issues he currently faces. It is unfortunate that a filmmaker of his stature would attempt to conflate legal accountability with creative victimhood. It would be best if Mr Rai respectfully acknowledges the ownership of IP as per the law of the land and his written undertakings, rather than use media unfairly as a platform to promote himself and thrive on unwarranted sensationalism.”

Also Read: Aanand L. Rai shocked over AI-generated ‘Happy’ ending for Raanjhanaa; says, “Imagine what this gimmick would do to cinema”

In yet another indication of its soaring global anticipation, War 2 has created history in the North American market by becoming the fastest Indian film to cross USD 100,000 in advance ticket sales. Achieving this feat in just seven hours, the Hrithik Roshan–NTR Jr starrer has outpaced the previous record held by Devara, which took 11 hours and 37 minutes to reach the same milestone earlier this year.

The benchmark achievement was confirmed by industry sources tracking pre-sales across key US and Canadian circuits, marking a major win for Yash Raj Films’ Spy Universe, which continues to gain momentum with each new instalment. While pre-release hype around War 2 had been steadily building—thanks to the union of two cinematic powerhouses in Hrithik Roshan and NTR Jr—few expected such a swift surge in ticket demand, particularly in a traditionally competitive overseas market.

What makes this accomplishment even more impressive is the fact that the $100K mark was crossed without the benefit of region-specific promotional tours or major marketing activations in the US and Canada. The buzz, it seems, has been driven almost entirely by the reputation of the lead actors, the curiosity around Ayan Mukerji’s directorial vision, and the franchise’s previous success at the global box office.

War (2019), the film’s predecessor, set new benchmarks for action thrillers in Hindi cinema. War 2 not only promises to raise the bar with high-octane action sequences and a broader narrative arc but also extends the canvas of the YRF Spy Universe, which now includes hits like Pathaan and Tiger 3.

For NTR Jr., War 2 is his first major outing in Bollywood post-RRR, and the excitement from Telugu cinema fans—especially in the diaspora—has been a major driver of these numbers. The crossover appeal, coupled with Hrithik Roshan’s loyal international fanbase, has turned War 2 into a cross-demographic juggernaut.

Industry insiders expect the momentum to continue well past the first $100K. With weeks still to go before release, all eyes are now on how far War 2 can push the envelope in terms of pre-sales benchmarks—not just for Indian films, but international releases in general.

In a global landscape where Indian cinema is increasingly making inroads into mainstream markets, War 2's North American performance is more than just a record—it’s a statement.

Also Read: War 2: Hrithik Roshan, Kiara Advani showcase why their chemistry is fire in the latest song ‘Aavan Jaavan’